Lives of the most Eminent Painters Sculptors and Architects, Vol. 08 (of 10): Bastiano to Taddeo ZuccheroVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 08 (of 10): Bastiano to Taddeo Zucchero
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
well have looked for some good result, if only he had been different in
nature and had adhered to the advice of Giorgio, who urged him to sell
the offices that he had in Rome and to settle in Florence, so as to
enjoy his native place with his friends and to avoid the danger of
losing, together with his life, all the fruits of his toil and grievous
labours. But Francesco, moved by sensitiveness and anger, and by his
desire to avenge himself, resolved that he would at all costs return to
Rome in a few days. Meanwhile, moving from that inn at the entreaty of
his friends, he retired to the house of M. Marco Finale, the Prior of S.
Apostolo, where he executed a Pieta in colours on cloth of silver for M.
Jacopo Salviati, as it were to pass the time, with the Madonna and the
other Maries, which was a very beautiful work. He renewed in colours a
medallion with the Ducal arms, which he had made on a former occasion
and placed over a door in the Palace of Messer Alamanno. And for the
above-named M. Jacopo he made a most beautiful book of bizarre costumes
and various headdresses of men and horses for masquerades, for which he
received innumerable courtesies from the liberality of that lord, who
lamented the strange and eccentric nature of Francesco, whom he was
never able to attract into his house on this occasion, as he had done at
other times.
Finally, Francesco being about to set out for Rome, Giorgio, as his
friend, reminded him that, being rich, advanced in years, weak in
health, and little fitted for more fatigues, he should think of living
in peace and shun strife and contention, which he would have been able
to do with ease, having acquired honour and property in plenty, if he
had not been too avaricious and desirous of gain. He exhorted him, in
addition, to sell the greater part of the offices that he possessed and
to arrange his affairs in such a manner, that in any emergency or any
misfortune that might happen he might be able to remember his friends
and those who had given him faithful and loving service. Francesco
promised that he would do right both in word and deed, and confessed
that Giorgio had spoken the truth; but, as happens to most of the men
who think that time will last for ever, he did nothing more in the
matter. Having arrived in Rome, Francesco found that Cardinal Emulio had
distributed the scenes of the Hall, giving two of them to Taddeo
Zucchero of Sant' Agnolo, one to Livio da Forli, another to Orazio da
Bologna, yet another to Girolamo da Sermoneta, and the rest to others.
Which being reported by Francesco to Giorgio, whom he asked whether it
would be well for him to continue the work that he had begun, he
received the answer that it would be a good thing, after making so many
little designs and large cartoons, to finish at least one picture,
notwithstanding that the greater part of the work had been allotted to
so many others, all much inferior to him, and that he should make an
Public-domain text, read in full here on John Shaqi.
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