After that chapel, Cardinal Alessandro Farnese caused him to execute in a room in his Palace--namely, at the corner, under one of those very rich ceilings made under the direction of Maestro Antonio da San Gallo for three large chambers that are in a line--a very beautiful frieze in painting, with a scene full of figures on each wall, the scenes being a very beautiful triumph of Bacchus, a Hunt, and others of that kind. These much pleased the Cardinal, who caused him to paint, in addition, in several parts of that frieze, the Unicorn in various forms in the lap of a Virgin, which is the device of that most illustrious family. Which work was the reason that that lord, who has ever been the friend of all talented and distinguished men, always favoured him, and even more would he have done it, if Daniello had not been so dilatory over his work; but for that Daniello was not to blame, seeing that such was his nature and genius, and he was content to do little well rather than much not so well. Now, in addition to the affection that the Cardinal bore him, Signor Annibale Caro worked on his behalf in such a manner with his patrons, the Farnesi, that they always assisted him. And for Madama Margherita of Austria, the daughter of Charles V, he painted in eight spaces in the study of which mention has been made in the Life of Indaco, in the Palace of the Medici on the Piazza Navona, eight little stories of the actions and illustrious deeds of the above-named Emperor Charles V, with such diligence and excellence, that it would be almost impossible to do better in that kind of work.