Then follow four scenes above the cornice--namely, one over every wall. In the first the Pope is blessing the galleys at Civita Vecchia, when about to send them to Tunis in Barbary in the year 1535. In the next the same Pope is excommunicating the King of England in the year 1537; with the proper inscription. In the third is a fleet of galleys which the Emperor and the Venetians fitted out against the Turk, with the authority and assistance of the Pontiff, in the year 1538. In the fourth, Perugia having rebelled against the Church, the people of that city go to seek pardon in the year 1540. On the walls of the same little hall are four large scenes, one to each wall, with windows and doors between. In the first large scene the Emperor Charles V, having returned victorious from Tunis, is kissing the feet of Pope Paul, of the Farnese family, in Rome, in the year 1535. In the next, which is above the door on the left hand, is the story of the peace that Pope Paul III brought about at Busseto between the Emperor Charles V and Francis I of France, in the year 1538; in which scene are these portraits--the elder Bourbon, King Francis, King Henry, the elder Lorenzo, Tournon, the younger Lorenzo, the younger Bourbon, and two sons of King Francis. In the third the same Pope is making Cardinal di Monte his Legate at the Council of Trent; and there are innumerable portraits. In the last, which is between two windows, the same Pontiff is creating many Cardinals in preparation for the Council, among whom there are four who became Popes in succession after him--Julius III, Marcello Cervini, Paul IV, and Pius IV. To put it briefly, this little hall is very richly adorned with all that is required in such a place. In the first chamber next to the little hall, which is dedicated to Dress, and likewise richly wrought in stucco and gold, there is in the centre a Sacrifice, with three nude figures, among which is an armed figure of Alexander the Great, who is casting some garments of skin upon the fire; and in many other scenes that are in the same place, one sees how men discovered the way to make garments from plants and other wild products; but it would take too long to seek to describe the whole in full. From this chamber one enters into a second, dedicated to Sleep, for which, when Taddeo had to paint it, he received the inventions given below from the Commendatore Annibale Caro, at the commission of the Cardinal; and, to the end that the whole may be the better understood, we shall write here the advice of Caro in his own words, which are these--