Lives of the Most Eminent Painters, Sculptors and Architects, Vol. 09 (of 10): Michelagnolo to the FlemingsVasari, Giorgio
History
Lives of the Most Eminent Painters, Sculptors and Architects, Vol. 09 (of 10): Michelagnolo to the Flemings
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Michelagnolo sent a vast number by his own hand--receiving answers in
rhyme and in prose--to the most illustrious Marchioness of Pescara, of
whose virtues he was enamoured, and she likewise of his; and she went
many times to Rome from Viterbo to visit him, and Michelagnolo
designed for her a Dead Christ in the lap of Our Lady, with two little
Angels, all most admirable, and a Christ fixed on the Cross, who, with
the head uplifted, is recommending His Spirit to the Father, a divine
work; and also a Christ with the Woman of Samaria at the well. He much
delighted in the sacred Scriptures, like the excellent Christian that
he was; and he held in great veneration the works written by Fra
Girolamo Savonarola, because he had heard the voice of that friar in
the pulpit. He greatly loved human beauty for the sake of imitation in
art, being able to select from the beautiful the most beautiful, for
without this imitation no perfect work can be done; but not with
lascivious and disgraceful thoughts, as he proved by his way of life,
which was very frugal. Thus, when he was young, all intent on his
work, he contented himself with a little bread and wine, and this he
continued when old until the time when he was painting the Judgment in
the Chapel, taking his refreshment in the evening when he had finished
the day's work, but always very frugally. And, although he was rich,
he lived like a poor man, nor did any friend ever eat at his table,
or rarely; and he would not accept presents from anyone, because it
appeared to him that if anyone gave him something, he would be bound
to him for ever. This sober life kept him very active and in want of
very little sleep, and often during the night, not being able to
sleep, he would rise to labour with the chisel; having made a cap of
thick paper, and over the centre of his head he kept a lighted candle,
which in this way threw light over where he was working without
encumbering his hands. Vasari, who had seen the cap several times,
reflecting that he did not use wax, but candles of pure goat's tallow,
which are excellent, sent him four bundles of these, which weighed
forty libbre. And his servant with all courtesy carried them to him at
the second hour of the evening, and presented them to him; but
Michelagnolo refused them, declaring that he did not want them; and
then the servant said: "They have broken my arms on the way between
the bridge and here, and I shall not carry them back to the house. Now
here in front of your door there is a solid heap of mud; they will
stand in it beautifully, and I will set them all alight." Michelagnolo
said to him: "Put them down here, for I will not have you playing
pranks at my door."
Public-domain text, read in full here on John Shaqi.
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