Lives of the Most Eminent Painters, Sculptors and Architects, Vol. 09 (of 10): Michelagnolo to the FlemingsVasari, Giorgio
History
Lives of the Most Eminent Painters, Sculptors and Architects, Vol. 09 (of 10): Michelagnolo to the Flemings
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
In the year 1514 Duke Alfonso of Ferrara had caused a little chamber
to be decorated, and had commissioned Dosso, the painter of Ferrara,
to execute in certain compartments stories of Æneas, Mars, and Venus,
and in a grotto Vulcan with two smiths at the forge; and he desired
that there should also be there pictures by the hand of Gian Bellini.
Bellini painted on another wall a vat of red wine with some Bacchanals
around it, and Satyrs, musicians, and other men and women, all drunk
with wine, and near them a nude and very beautiful Silenus, riding on
his ass, with figures about him that have the hands full of fruits and
grapes; which work was in truth executed and coloured with great
diligence, insomuch that it is one of the most beautiful pictures that
Gian Bellini ever painted, although in the manner of the draperies
there is a certain sharpness after the German manner (nothing, indeed,
of any account), because he imitated a picture by the Fleming Albrecht
Dürer, which had been brought in those days to Venice and placed in
the Church of S. Bartolommeo, a rare work and full of most beautiful
figures painted in oils. On that vat Gian Bellini wrote these words:
JOANNES BELLINUS VENETUS, P. 1514.
That work he was not able to finish completely, because he was old,
and Tiziano, as the most excellent of all the others, was sent for to
the end that he might finish it; wherefore, being desirous to acquire
excellence and to make himself known, he executed with much diligence
two scenes that were wanting in that little chamber. In the first is a
river of red wine, about which are singers and musicians, both men
and women, as it were drunk, and a naked woman who is sleeping, so
beautiful that she might be alive, together with other figures; and on
this picture Tiziano wrote his name. In the other, which is next to it
and seen first on entering, he painted many little boys and Loves in
various attitudes, which much pleased that lord, as also did the other
picture; but most beautiful of all is one of those boys who is making
water into a river and is reflected in the water, while the others are
around a pedestal that has the form of an altar, upon which is a
statue of Venus with a sea-conch in the right hand, and Grace and
Beauty about her, which are very lovely figures and executed with
incredible diligence. On the door of a press, likewise, Tiziano
painted an image of Christ from the waist upwards, marvellous, nay,
stupendous, to whom a base Hebrew is showing the coin of Cæsar; which
image, and also other pictures in that little chamber, our best
craftsmen declare to be the finest and best executed that Tiziano has
ever done, and indeed they are most rare. Wherefore he well deserved
to be most liberally recompensed and rewarded by that lord, whom he
portrayed excellently well with one arm resting on a great piece of
artillery; and he also made a portrait of Signora Laura, who
afterwards became the wife of the Duke, which is a stupendous work.
Public-domain text, read in full here on John Shaqi.
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