Apostle, a soldier, or something else, he would have himself portrayed, standing thus for a period of two hours without speaking, not otherwise than as if he had been a motionless statue. Many other amusing follies of that kind poor Pippo played, but above all he was never able to forget the Bacchus that Sansovino had made, save only when he died, a few years afterwards. [Illustration: MARS AND NEPTUNE (_After =Jacopo Sansovino=. Venice: Ducal Palace_) _Alinari_] But to return to the statue; when it was carried to completion, it was held to be the most beautiful work that had ever been executed by a modern master, seeing that in it Sansovino overcame a difficulty never yet attempted, in making an arm raised in the air and detached on every side, which holds between the fingers a cup all cut out of the same marble with such delicacy, that the attachment is very slight, besides which the attitude is so well conceived and balanced on every side, and the legs and arms are so beautiful and so well proportioned and attached to the trunk, that to the eye and to the touch the whole seems much more like living flesh; insomuch that the fame that it has from all who see it is well deserved, and even more. This work, I say, when finished, while Giovanni was alive, was visited in that courtyard in the Gualfonda by everyone, native and stranger alike, and much extolled. But afterwards, Giovanni being dead, his brother Gherardo Bartolini presented it to Duke Cosimo, who keeps it as a rare thing in his apartments, together with other most beautiful statues of marble that he possesses. For the same Giovanni Sansovino made a very beautiful Crucifix of wood, which is in their house in company with many works by the ancients and by the hand of Michelagnolo.