Lives of the Most Eminent Painters, Sculptors and Architects, Vol. 09 (of 10): Michelagnolo to the FlemingsVasari, Giorgio
History
Lives of the Most Eminent Painters, Sculptors and Architects, Vol. 09 (of 10): Michelagnolo to the Flemings
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
with new walls, and to make at the foot new foundations for the piers
that supported them, insomuch that he strengthened them vastly and
made them for ever secure. By doing which he caused all Venice to
marvel, and not only satisfied Gritti, but also--which was far
more--rendered his ability so clearly manifest to that most
illustrious Senate, that when the work was finished, the Protomaster
to the Lords Procurators of S. Mark being dead, which is the highest
office that those lords give to their architects and engineers, they
gave it to him with the usual house and a passing handsome salary.
Whereupon Sansovino, having accepted it most willingly and freed his
mind of all doubt, became the head of all their fabrics, with honour
and advantage for himself.
[Illustration: THE LIBRARY OF S. MARCO
(_After =Jacopo Sansovino=. Venice_)
_Alinari_]
First, then, he erected the public building of the Mint, which he
designed and distributed in the interior with so much order and
method, for the convenience and service of the many artificers, that
in no place is there a Treasury ordered so well or with greater
strength than that one, which he adorned altogether in the Rustic
Order, very beautifully; which method, not having been used before in
Venice, caused no little marvel in the men of that city. Wherefore,
having recognized that the genius of Sansovino was equal to their
every need in the service of the city, they caused him to attend for
many years to the fortifications of their State. Nor did any long time
pass before he took in hand, by order of the Council of Ten, the very
rich and beautiful fabric of the Library of S. Marco, opposite to the
Palazzo della Signoria, with such a wealth of carvings, cornices,
columns, capitals, and half-length figures over the whole work, that
it is a marvel; and it is all done without any sparing of expense, so
that up to the present day it has cost one hundred and fifty thousand
ducats. And it is held in great estimation in that city, because it is
full of the richest pavements, stucco-work, and stories, distributed
among the halls of the building, with public stairs adorned by various
pictures, as has been related in the Life of Battista Franco; besides
many other beautiful appurtenances, and the rich ornaments that it has
at the principal door of entrance, which give it majesty and grandeur,
making manifest the ability of Sansovino. This method of building was
the reason that in that city, into which up to that time there had
never entered any method save that of making their houses and palaces
with the same order, each one always continuing the same things with
the same measure and ancient use, without varying according to the
sites as they found them or according to convenience--this, I say, was
the reason that buildings both public and private began to be erected
with new designs and better order.
Public-domain text, read in full here on John Shaqi.
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