Lives of the Most Eminent Painters, Sculptors and Architects, Vol. 09 (of 10): Michelagnolo to the FlemingsVasari, Giorgio
History
Lives of the Most Eminent Painters, Sculptors and Architects, Vol. 09 (of 10): Michelagnolo to the Flemings
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
He had an immoderate desire of glory, and by reason of that used to
spend his own substance on others (not without notable harm to his
descendants), in the hope that there might remain some memory of him.
Good judges say that although he had to yield to Michelagnolo, yet in
certain things he was his superior. Thus in the fashioning of
draperies, in children, and in the expressions of women, Jacopo had no
equal, for the reason that his draperies in marble were very delicate
and well executed, with beautiful folds and curves that revealed the
nude beneath the vestments; his children he made tender and soft,
without those muscles that adults have, and with their little arms and
legs as if of flesh, insomuch that they were in no way different from
the life; and the expressions of his women were sweet and pleasing,
and as gracious as could be, as is clearly seen from various Madonnas
made by him in many places, of marble and in low-relief, and from his
statues of Venus and other figures.
Now this man, having thus become celebrated in sculpture and in
architecture a master without a rival, and having lived in the grace
of mankind and also of God, who bestowed upon him the genius that made
him illustrious, as has been related, when he had come to the age of
ninety-three, feeling somewhat weary in body, took to his bed in order
to rest; in which having lain without any kind of suffering, although
he strove to rise and dress himself as if well, for a period of a
month and a half, failing little by little, he asked for the
Sacraments of the Church, which having received, while still hoping to
live a few years, he sank gradually and died on the 2nd of November in
the year 1570; and although in his old age he had run the whole course
of nature, yet his death was a grief to all Venice. He left behind him
his son Francesco, born at Rome in the year 1521, a man learned both
in the law and in the humanities, from whom Jacopo saw three
grandchildren born; a male child called, like his grandfather, Jacopo,
and two female, one called Fiorenza, who died, to his infinite grief
and sorrow, and the other Aurora. His body was borne with much honour
to his chapel in S. Gimignano, where there was erected to his memory
by his son the marble statue made by Jacopo himself while he was
alive, with the epitaph given below in memory of his great worth:
JACOBO SANSOVINO FLORENTINO QUI ROMÆ JULIO II, LEONI X, CLEMENTI
VII, PONT. MAX., MAXIME GRATUS, VENETIIS ARCHITECTURÆ
SCULPTURÆQUE INTERMORTUUM DECUS PRIMUS EXCITAVIT, QUIQUE A SENATU
OB EXIMIAM VIRTUTEM LIBERALITER HONESTATUS, SUMMO CIVITATIS
MOERORE DECESSIT, FRANCISCUS F. HOC MON. P. VIXIT ANN. XCIII. OB.
V. CAL. DEC. MDLXX.
His obsequies were likewise celebrated publicly at the Frari by the
Florentine colony, with no slight pomp, and the oration was delivered
by Messer Camillo Buonpigli, an excellent man.
LEONE LIONI OF AREZZO
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