Lives of the Most Eminent Painters, Sculptors and Architects, Vol. 09 (of 10): Michelagnolo to the FlemingsVasari, Giorgio
History
Lives of the Most Eminent Painters, Sculptors and Architects, Vol. 09 (of 10): Michelagnolo to the Flemings
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
"For four years back I have had it constantly in mind to thank you,
honoured Sir, for two very great benefits that I have received from
you, although I know that this will appear to you a strange exordium
from one whom you have never seen or known. And strange, indeed, it
would be, if I had not known you, which has been from the time when my
good fortune, or rather, our Lord God, willed that by His Grace there
should come into my hands, I know not in what way, your most excellent
writings concerning the architects, painters, and sculptors. But at
that time I did not know one word of Italian, whereas now, thanks be
to God, for all that I have never seen Italy, by reading your writings
I have gained such little knowledge as has encouraged me to write you
this letter. And to this desire to learn your tongue I have been
attracted by your writings, which perhaps those of no other man could
have done; being drawn to seek to understand them by a natural and
irresistible love that I have borne from childhood to these three most
beautiful arts, but above all to that most pleasing to every age, sex,
and rank, and hurtful to none, your art of painting. In which art,
although I was at that time wholly ignorant and wanting in judgment,
now, by means of the frequently reiterated reading of your writings, I
understand so much--little though it may be, and as it were
nothing--as is yet enough to enable me to lead an agreeable and happy
life; and this I value more than all the honours, comforts and riches
of this world. By this little I mean only that I could copy with
oil-colours, as with any kind of drawing-instrument, the objects of
nature, and particularly nudes and vestments of every sort; but I have
not had courage enough to plunge deeper, as for example, to paint
things more hazardous which require a hand more practised and sure,
such as landscapes, trees, waters, clouds, splendours, fires, etc. And
although in these things, as also in inventions, up to a certain
point, it is possible that in case of necessity I could show that I
have made some little proficience by means of the reading I have
mentioned, yet I have been content, as I have said, to confine myself
to making only portraits, and the rather because the many occupations
which my office necessarily involves do not permit me to do more. And
in order to prove myself in some way appreciative and grateful for
these benefits, that by your means I have learned a most beautiful
tongue and the art of painting, I would have sent you with this letter
a little portrait of my face, taken with a mirror, had I not doubted
whether my letter would find you in Rome or not, since at the present
moment you might perchance be living in Florence or your native city
of Arezzo."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account