Lives of the Most Eminent Painters, Sculptors and Architects, Vol. 09 (of 10): Michelagnolo to the FlemingsVasari, Giorgio
History
Lives of the Most Eminent Painters, Sculptors and Architects, Vol. 09 (of 10): Michelagnolo to the Flemings
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
In the year 1549 there took place the death of Pope Paul III;
whereupon, after the election of Pope Julius III, Cardinal Farnese
gave orders for a grand tomb to be made for his kinsman Pope Paul by
the hand of Fra Guglielmo, who arranged to erect it in S. Pietro,
below the first arch of the new church, beneath the tribune, which
obstructed the floor of the church, and was, in truth, not the proper
place. Michelagnolo advised, most judiciously, that it could not and
should not stand there, and the Frate, believing that he was doing
this out of envy, became filled with hatred against him; but
afterwards he recognized that Michelagnolo had spoken the truth, and
that the fault was his, in that he had had the opportunity and had not
finished the work, as will be related in another place. And to this I
can bear witness, for the reason that in the year 1550 I had gone by
order of Pope Julius III to Rome to serve him (and very willingly, for
love of Michelagnolo), and I took part in that discussion.
Michelagnolo desired that the tomb should be erected in one of the
niches, where there is now the Column of the Possessed, which was the
proper place, and I had so gone to work that Julius III was resolving
to have his own tomb made in the other niche with the same design as
that of Pope Paul, in order to balance that work; but the Frate, who
set himself against this, brought it about that his own was never
finished after all, and that the tomb of the other Pontiff was also
not made; which had all been predicted by Michelagnolo.
Public-domain text, read in full here on John Shaqi.
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