Lives of the Most Eminent Painters, Sculptors and Architects, Vol. 09 (of 10): Michelagnolo to the FlemingsVasari, Giorgio
History
Lives of the Most Eminent Painters, Sculptors and Architects, Vol. 09 (of 10): Michelagnolo to the Flemings
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
Already, in the time of Paul III, Duke Cosimo had sent Tribolo to
Rome to see if he might be able to persuade Michelagnolo to return to
Florence, in order to give completion to the Sacristy of S. Lorenzo.
But Michelagnolo excused himself because, having grown old, he could
not support the burden of such fatigues, and demonstrated to him with
many reasons that he could not leave Rome. Whereupon Tribolo finally
asked him about the staircase of the library of S. Lorenzo, for which
Michelagnolo had caused many stones to be prepared, but there was no
model of it nor any certainty as to the exact form, and, although
there were some marks on a pavement and some other sketches in clay,
the true and final design could not be found. However, no matter how
much Tribolo might beseech him and invoke the name of the Duke,
Michelagnolo would never answer a word save that he remembered nothing
of it. Orders were given to Vasari by Duke Cosimo that he should write
to Michelagnolo, requesting him to write saying what final form that
staircase was to have; in the hope that through the friendship and
love that he bore to Vasari, he would say something that might lead to
some solution and to the completion of the work. Vasari wrote to
Michelagnolo the mind of the Duke, saying that the execution of all
that was to be done would fall to him; which he would do with that
fidelity and care with which, as Michelagnolo knew, he was wont to
treat such of his works as he had in charge. Wherefore Michelagnolo
sent the directions for making the above-named staircase in a letter
by his own hand on the 28th of September, 1555.
[Illustration: BIBLIOTECA LAURENZIANA
(_After =Michelagnolo=. Florence_)
_Alinari_]
"MESSER GIORGIO, DEAR FRIEND,
Public-domain text, read in full here on John Shaqi.
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