Lives of the Most Eminent Painters, Sculptors and Architects, Vol. 09 (of 10): Michelagnolo to the FlemingsVasari, Giorgio
History
Lives of the Most Eminent Painters, Sculptors and Architects, Vol. 09 (of 10): Michelagnolo to the Flemings
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
The point C, which is the lowest, is the principal one, wherewith he
turned the first half-circle of the tribune, with which he gave the
form, height and breadth of this vault, which he ordered to be built
entirely of bricks well baked and fired, laid herring-bone fashion.
This shell he makes four palms and a half thick, and as thick at the
top as at the foot, and leaving beside it, in the centre, a space four
palms and a half wide at the foot, which is to serve for the ascent of
the stairs that are to lead to the lantern, rising from the platform
of the cornice where there are balusters. The arch of the interior of
the other shell, which is to be wider at the foot and narrower at the
top, is turned on the point marked B, and the thickness of the shell
at the foot is four palms and a half. And the last arch, which is to
be turned in order to make the exterior of the cupola, wider at the
foot and narrowing towards the top, is to be raised on the point
marked A, which arch turned, there remains at the top all the hollow
space of the interior for the ascent of the stairs, which are eight
palms high, so that one may climb them upright; and the thickness of
that shell comes to diminish little by little, insomuch that, being as
before four palms and a half at the foot, it decreases at the top to
three palms and a half. And the outer shell comes to be so well bound
to the inner shell with bonds and with the stairs, that the one
supports the other; while of the eight parts into which the fabric is
divided at the base, the four over the arches are left hollow, in
order to put less weight upon the arches, and the other four are bound
and chained together with bonds upon the piers, so that the structure
may have everlasting life.
The stairs in the centre between one shell and the other are
constructed in this form; from the level where the springing of the
vault begins they rise in each of the four sections, and each ascends
from two entrances, the stairs intersecting one another in the form of
an X, until they have covered the half of the arch marked C, on the
upper side of the shell, when, having ascended straight up the half of
that arch, the remaining space is then easily climbed circle after
circle and step after step in a direct line, until finally one arrives
at the eye of the cupola, where the rise of the lantern begins, around
which, in accord with the diminution of the compartments that spring
above the piers, there is a smaller range of double pilasters and
windows similar to those that are constructed in the interior, as
will be described below.
Public-domain text, read in full here on John Shaqi.
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