branch of glorious palm, and in the other a verdant crown of triumphal
laurel. And in the encircling frieze that ran right round the vaulting,
the front and the back, there followed the third part of the motto
already begun, saying: MORIBUS ORNES.
OF THE PIAZZA, AND OF THE NEPTUNE.
Next, all the most noble magistrates of the city, distributing
themselves one by one over the whole circuit of the great Piazza, each
with his customary devices and with very rich tapestries divided evenly
by most graceful pilasters, had rendered it all magnificently imposing
and ornate; and there in those days great care and diligence were
devoted to hastening the erecting in its place, at the beginning of the
Ringhiera, of that Giant in the finest white marble, so marvellous and
so stupendous in grandeur, in beauty, and in every part, which is still
to be seen there at the present day; although it had been ordained as a
permanent and enduring ornament. That Giant is known by the trident that
he has in the hand, by the crown of pine, and by the Tritons that are at
his feet, sounding their trumpets, to be Neptune, God of the sea; and,
riding in a graceful car adorned with various products of the sea and
two ascendant Signs, Capricorn for the Duke and Aries for the Prince,
and drawn by four Sea-horses, he appears in the guise of a benign
protector to be promising tranquillity, felicity, and victory in the
affairs of the sea. At the foot of this, in order to establish it more
securely and more richly, there was made at that time in a no less
beautiful manner an immense and most lovely octagonal fountain,
gracefully supported by some Satyrs, who, holding in their hands little
baskets of various wild fruits and prickly shells of chestnuts, and
divided by some little scenes in low-relief and by some festoons in
which were interspersed sea-shells, crabs, and other suchlike things,
seemed as they danced to be expressing great joy in their new Lady; even
as with no less joy and no less grace there were seen lying on the sides
of the four principal faces of the fountain, likewise with certain great
shells in their hands and with some children in their arms, two nude
women and two most beautiful youths, who in a certain gracious attitude,
as if they were on the sea-shore, appeared to be playing and sporting
gracefully with some dolphins that were there, likewise in low-relief.
OF THE DOOR OF THE PALACE.
Public-domain text, read in full here on John Shaqi.
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