Freind says, [172] that, among other ingenious contrivances, he put statues in motion, and drew articulate sounds from a brazen head, not however by magic, but by an artificial application of the principles of natural philosophy. This probably furnished a foundation for the tale of Friar Bacon and Friar Bungy, which was one of the earliest productions to which the art of printing was applied in England. These two persons are said to have entertained the project of inclosing England with a wall, so as to render it inaccessible to any invader. They accordingly raised the devil, as the person best able to inform them how this was to be done. The devil advised them to make a brazen head, with all the internal structure and organs of a human head. The construction would cost them much time; and they must then wait with patience till the faculty of speech descended upon it. It would finally however become an oracle, and, if the question were propounded to it, would teach them the solution of their problem. The friars spent seven years in bringing the structure to perfection, and then waited day after day, in expectation that it would utter articulate sounds. At length nature became exhausted in them, and they lay down to sleep, having first given it strictly in charge to a servant of theirs, clownish in nature, but of strict fidelity, that he should awaken them the moment the image began to speak. That period arrived. The head uttered sounds, but such as the clown judged unworthy of notice. "Time is!" it said. No notice was taken; and a long pause ensued. "Time was!" A similar pause, and no notice. "Time is passed!" And the moment these words were uttered, a tremendous storm ensued, with thunder and lightning, and the head was shivered into a thousand pieces. Thus the experiment of friar Bacon and friar Bungy came to nothing. THOMAS AQUINAS.