The father-in-law of the king, well aware of the bridegroom's known
predilection for theatrical exhibitions and magical illusions, brought
with him to Prague, the capital of Wenceslaus, a whole waggon-load of
morrice-dancers and jugglers, who made their appearance among the
royal retinue. Meanwhile Ziito, the favourite magician of the king,
took his place obscurely among the ordinary spectators. He however
immediately arrested the attention of the strangers, being remarked
for his extraordinary deformity, and a mouth that stretched completely
from ear to ear. Ziito was for some time engaged in quietly observing
the tricks and sleights that were exhibited. At length, while the
chief magician of the elector Palatine was still busily employed in
shewing some of the most admired specimens of his art, the Bohemian,
indignant at what appeared to him the bungling exhibitions of his
brother-artist, came forward, and reproached him with the unskilfulness
of his performances. The two professors presently fell into warm
debate. Ziito, provoked at the insolence of his rival, made no more
ado but swallowed him whole before the multitude, attired as he was,
all but his shoes, which he objected to because they were dirty. He
then retired for a short while to a closet, and presently returned,
leading the magician along with him.
Having thus disposed of his rival, Ziito proceeded to exhibit the
wonders of his art. He shewed himself first in his proper shape, and
then in those of different persons successively, with countenances and
a stature totally dissimilar to his own; at one time splendidly
attired in robes of purple and silk, and then in the twinkling of an
eye in coarse linen and a clownish coat of frieze. He would proceed
along the field with a smooth and undulating motion without changing
the posture of a limb, for all the world as if he were carried along
in a ship. He would keep pace with the king's chariot, in a car drawn
by barn-door fowls. He also amused the king's guests as they sat at
table, by causing, when they stretched out their hands to the different
dishes, sometimes their hands to turn into the cloven feet of an ox,
and at other times into the hoofs of a horse. He would clap on them
the antlers of a deer, so that, when they put their heads out at
window to see some sight that was going by, they could by no means
draw them back again; while he in the mean time feasted on the savoury
cates that had been spread before them, at his leisure.
Public-domain text, read in full here on John Shaqi.
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