A ludicrous confusion of ideas has been produced by some persons from the similarity of names of Faustus, the supposed magician of Wittenberg, and Faust or Fust of Mentz, the inventor, or first establisher of the art of printing. It has been alleged that the exact resemblance of the copies of books published by the latter, when no other mode of multiplying copies was known but by the act of transcribing, was found to be such, as could no way be accounted for by natural means, and that therefore it was imputed to the person who presented these copies, that he must necessarily be assisted by the devil. It has further been stated, that Faust, the printer, swore the craftsmen he employed at his press to inviolable secrecy, that he might the more securely keep up the price of his books. But this notion of the identity of the two persons is entirely groundless. Faustus, the magician, is described in the romance as having been born in 1491, twenty-five years after the period at which the printer is understood to have died, and there is no one coincidence between the histories of the two persons, beyond the similarity of names, and a certain mystery (or magical appearance) that inevitably adheres to the practice of an art hitherto unknown. If any secret reference had been intended in the romance to the real character of the illustrious introducer of an art which has been productive of such incalculable benefits to mankind, it would be impossible to account for such a marvellous inconsistence in the chronology. Others have carried their scepticism so far, as to have started a doubt whether there was ever really such a person as Faustus of Wittenberg, the alleged magician. But the testimony of Wierus, Philip Camerarius, Melancthon and others, his contemporaries, sufficiently refutes this supposition. The fact is, that there was undoubtedly such a man, who, by sleights of dexterity, made himself a reputation as if there was something supernatural in his performances, and that he was probably also regarded with a degree of terror and abhorrence by the superstitious. On this theme was constructed a romance, which once possessed the highest popularity, and furnished a subject to the dramatical genius of Marlow, Leasing, Goethe, and others.--It is sufficiently remarkable, that the notoriety of this romance seems to have suggested to Shakespear the idea of sending the grand conception of his brain, Hamlet, prince of Denmark, to finish his education at the university of Wittenberg.