It happened that, soon after James's return to Scotland, one Geillis
Duncan, a servant-maid, for the extraordinary circumstances that
attended certain cures which she performed, became suspected of
witchcraft. Her master questioned her on the subject; but she would
own nothing. Perceiving her obstinacy, the master took upon himself
of his own authority, to extort confession from her by torture. In
this he succeeded; and, having related divers particulars of
witchcraft of herself, she proceeded to accuse others. The persons
she accused were cast into the public prison.
One of these, Agnes Sampson by name, at first stoutly resisted the
torture. But, it being more strenuously applied, she by and by became
extremely communicative. It was at this period that James personally
engaged in the examinations. We are told that he "took great delight
in being present," and putting the proper questions. The unhappy
victim was introduced into a room plentifully furnished with
implements of torture, while the king waited in an apartment at a
convenient distance, till the patient was found to be in a suitable
frame of mind to make the desired communications. No sooner did he
or she signify that they were ready, and should no longer refuse to
answer, than they were introduced, fainting, sinking under recent
sufferings which they had no longer strength to resist, into the royal
presence. And here sat James, in envied ease and conscious "delight,"
wrapped up in the thought of his own sagacity, framing the enquiries
that might best extort the desired evidence, and calculating with
a judgment by no means to be despised, from the bearing, the turn
of features, and the complexion of the victim, the probability whether
he was making a frank and artless confession, or had still the secret
desire to impose on the royal examiner, or from a different motive
was disposed to make use of the treacherous authority which the
situation afforded, to gratify his revenge upon some person towards
whom he might be inspired with latent hatred and malice.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account