might think the most likely to be exempt from this weakness. ROME. VIRGIL. From the Greeks let us turn to the Romans. The earliest examples to our purpose occur in the Aeneid. And, though Virgil is a poet, yet is he so correct a writer, that we may well take for granted, that he either records facts which had been handed down by tradition, or that, when he feigns, he feigns things strikingly in accord with the manners and belief of the age of which he speaks. POLYDORUS. One of the first passages that occur, is of the ghost of the deceased Polydorus on the coast of Thrace. Polydorus, the son of Priam, was murdered by the king of that country, his host, for the sake of the treasures he had brought with him from Troy. He was struck through with darts made of the wood of the myrtle. The body was cast into a pit, and earth thrown upon it. The stems of myrtle grew and flourished. Aeneas, after the burning of Troy, first attempted a settlement in this place. Near the spot where he landed he found a hillock thickly set with myrtle. He attempted to gather some, thinking it might form a suitable screen to an altar which he had just raised. To his astonishment and horror he found the branches he had plucked, dropping with blood. He tried the experiment again and again. At length a voice from the mound was heard, exclaiming, "Spare me! I am Polydorus;" and warning him to fly the blood-stained and treacherous shore. DIDO. We have a more detailed tale of necromancy, when Dido, deserted by Aeneas, resolves on self-destruction. To delude her sister as to her secret purpose, she sends for a priestess from the gardens of the Hesperides, pretending that her object is by magical incantations again to relumine the passion of love in the breast of Aeneas. This priestess is endowed with the power, by potent verse to free the oppressed soul from care, and by similar means to agitate the bosom with passion which is free from its empire. She can arrest the headlong stream, and cause the stars to return back in their orbits. She can call up the ghosts of the dead. She is able to compel the solid earth to rock, and the trees of the forest to descend from their mountains. To give effect to the infernal spell, Dido commands that a funeral pyre shall be set up in the interior court of her palace, and that the arms of Aeneas, what remained of his attire, and the marriage bed in which Dido had received him, shall be heaped upon it. The pyre is hung round with garlands, and adorned with branches of cypress. The sword of Aeneas and his picture are added. Altars are placed round the pyre; and the priestess, with dishevelled hair, calls with terrific charms upon her three hundred Gods, upon Erebus, chaos, and the three-faced Hecate. She sprinkles around the waters of Avernus, and adds certain herbs that had been cropped by moonlight with a sickle of brass. She brings with her the excrescence which is found upon the