What, exclaims the poet, is the nature of the compulsion thus exercised on the Gods, this obedience to song and to potent herbs, this fear to disobey and scorn the enchanter? Do they yield from necessity, or is it a voluntary subjection? Is it the piety of these hags that obtains the reward, or by menaces do they secure their purpose? Are all the Gods subject to this control, or, is there one God upon whom it has power, who, himself compelled, compels the elements? The stars fall from heaven at their command. The silver moon yields to their execrations, and burns with a smouldering flame, even as when the earth comes between her and the sun, and by its shadow intercepts its rays; thus is the moon brought lower and more low, till she covers with her froth the herbs destined to receive her malignant influence. But Erichtho, the witch of the poet, flouts all these arts, as too poor and timid for her purposes. She never allows a roof to cover her horrid head, or confesses the influence of the Houshold Gods. She inhabits the deserted tomb, and dwells in a grave from which the ghost of the dead has been previously expelled. She knows the Stygian abodes, and the counsels of the infernals. Her countenance is lean; and her complexion overspread with deadly paleness. Her hair is neglected and matted. But when clouds and tempests obscure the stars, then she comes forth, and defies the midnight lightning. Wherever she treads, the fruits of the earth become withered, and the wholesome air is poisoned with her breath. She offers no prayers, and pours forth no supplications; she has recourse to no divination. She delights to profane the sacred altar with a funereal flame, and pollutes the incense with a torch from the pyre. The Gods yield at once to her voice, nor dare to provoke her to a second mandate. She incloses the living man within the confines of the grave; she subjects to sudden death those who were destined to a protracted age; and she brings back to life the corses of the dead. She snatches the smoaking cinders, and the bones whitened with flame, from the midst of the pile, and wrests the torch from the hand of the mourning parent. She seizes the fragments of the burning shroud, and the embers yet moistened with blood. But, where the sad remains are already hearsed in marble, it is there that she most delights to exercise her sacrilegious power. She tears the limbs of the dead, and digs out their eyes. She gnaws their fingers. She separates with her teeth the rope on the gibbet, and tears away the murderer from the cross on which he hung suspended. She applies to her purposes the entrails withered with the wind, and the marrow that had been dried by the sun. She bears away the nails which had pierced the hands and feet of the criminal, the clotted blood which had distilled from his wounds, and the sinews that had held him suspended. She pounces upon the body of the dead in the battle-field,