To Elizabeth, this driving abroad after nightfall was like taking a
voyage to a new planet. It was so wonderful and mysterious, this new,
white, moon-lit world. Away in the vast blue dome the stars smiled
faintly, outshone by the glory of the big, round moon that rode high
above the black tree-tops. The billowing drifts along the road blazed
under a veil of diamonds, and the strip of ice on the pond, where
Elizabeth and John had swept away the snow for a slide, shone like
polished silver. The fields melted away gray and mysterious into the
darkness of the woods. Here and there a light twinkled from the
farm-houses of the valley. The sleigh-bells jingled merrily, and the
company joined their own joyous notes to them and sang the songs that
were to be given at the concert. The woods rang with their gay voices
as they passed old Sandy McLachlan's place. Sandy still held
possession, and was looking forward hopefully to some providential
interference in the springtime.
The old man and Eppie were plunging down the snowy lane. The horses
were pulled up and they were hauled joyously aboard; and in a few
minutes the happy sleighload dashed up to the schoolhouse, which stood
there looking twice its usual size and importance, with the light
blazing from every window.
CHAPTER IX
THE FAIRY GOD-MOTHER ARRIVES
They found the schoolhouse already rapidly filling. To Elizabeth, the
little room presented a scene of dazzling splendor. The place was
indeed transformed. It was decorated with festoons of evergreens and
wreaths of paper flowers; and lamps twinkled from every window-sill.
Across the platform was stretched a white curtain, constructed from
Mrs. Robertson's and Mrs. Clegg's sheets, while from behind this magic
screen--hiding one could not guess what wonders--shone all the lanterns
owned by the population of Forest Glen, and across its glowing surface
flitted gigantic shadows.
Martha Ellen Robertson, in a brilliant pink satin waist, and all her
jewelry; and Miss Hillary in a new white dress, were already hurrying
up and down the aisle marshaling their forces. As the artists appeared
they arranged them on the row of improvised benches at the front,
charging them to sit there quietly until their turn came for stepping
behind the magic curtain.
Public-domain text, read in full here on John Shaqi.
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