Offutt looked, and marvelled that he had never noticed this place before
since surely, covering assignments or on exploration jaunts, he must
have passed it by a score of times. It stood midway of the block. On one
side of it was a little pawnshop, its single grimy window filled with
the strange objects which persons acquire, seemingly, for pawning
purposes exclusively--sword-canes and mandolins with mother-of-pearl
insets in them, and moss-agate cuff buttons. On the other side was a
trunk store with half of its wares cluttering the narrow-door passage
and signs everywhere displayed to inform the public that the proprietor
was going out of business and must sell his stock at an enormous
sacrifice, wherefore until further notice, perfectly ruinous prices
would prevail. It appears to be a characteristic of all trunk-stores
that their proprietors are constantly going out of business and that
their contents, invariably, are to be had below cost.
Between these two establishments gaped a recessed and cavernous entryway
flanked by two big stone pillars of a dropsical contour and spanned over
at the top by a top-heavy cornice ponderously and painfully Corinthian
in aspect. The outjutting eaves rested flat on the coping stones and
from there the roof gabled up sharply. Old gates, heavily chained and
slanting inward, warded the opening between the pair of pillars, so that
the mouth of the place was muzzled with iron, like an Elizabethan
shrew's.
Above, the building was beetle-browed; below, it was dish-faced. A
student of architectural criminology would pause before this facade and
take notes.
The space inclosed within the skewed and bent gate pickets was a snug
harbour for the dust of many a gritty day. There were little grey drifts
of it at the foot of each of the five steps that led up to the flagged
floor level; secretions of grime covered the barred double doors on
beyond the steps, until the original colour was only to be guessed at;
scraps of dodgers, pieces of newspaper and tattered handbills adhered to
every carved projection at the feet of the columns, like dead leaves
about tree boles in the woods.
On the frieze overhead might be made out, in lettering that once had
been gold-leafed, the line: Scudder's Family Theatre. The words were
scarcely decipherable now. Bill-posters had coated every available inch
of space with snipes and sheets.
Verba shook the gates until the hasps gritted and the chains clanged.
"Nobody at home," he said. "I guess the sheriff locked her up when the
lawsuits started and then threw away the key. Well, let's scout round.
Somebody's sure to know our man; they told me Bateman was a
neighbourhood character down here. A cop ought to be able to help
us--only I don't see one. Maybe they don't have cops in this street."
Speculatively his eyes ranged the vista up and down the block and
opposite. He pointed to a saloon diagonally across the way, next door to
the first corner south.
Public-domain text, read in full here on John Shaqi.
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