Because of the frequency of the demands put upon the maternal resources
by the newest and smallest Finkelstein, it was deemed expedient and, in
fact, essential to turn the gown round backward, so as to have the
bodice fastenings directly in front of Mamma Finkelstein instead of
directly behind her. This necessitated drawing the train up from beneath
the occupant's feet and draping it, sash-fashion, about her waist. Mamma
Finkelstein wore it so. She was wearing it so that afternoon when Mrs.
F. Fodderwood Bass arrived, direct from upper Fifth Avenue, and also the
next morning when Miss Godiva Sleybells came, representing,
semi-officially and most competently, the Cherry Hill Neighbourhood
House.
Since of these two Mrs. F. Fodderwood Bass was first, firstly then we
may consider her. I will begin by stating that she was a lady of
augmented wealth and indubitable preeminence, being of that elect group
who have ceased merely to smell society from afar off and now taste of
its exclusive delights close up. For her it had been a hard climb,
laboriously uphill all the way, boulder-strewn and beset by hazards,
pitfalls and obstacles. But she had arrived finally upon those
snow-capped peaks where the temperature is ever below freezing and life
may only be maintained artificially.
Inasmuch as she had not been born to breathe the atmosphere of this
rarefied altitude, but had achieved her right to breathe it by her own
efforts, Mrs. F. Fodderwood Bass felt it incumbent on her to maintain
her position away up there on Mount Saint Elias by such manifold and
varied activities as were most aptly designed to make for publicity,
which meant prominence, which meant success. For the moment she was
principally concerned with living up to the rôle of good angel to the
worthily indigent. Those who loved her and in return wished to be loved
by her called her the Lady Bountiful of the Slums.
She conferred the sweet boon of charity with the aid of a press agent, a
subscription to a clipping bureau, a special secretary--not her regular
secretary, but a special one--and a new photograph--copyright by De
Valle, Fifth Avenue, all infringements prohibited--appearing about once
in so often in the Sunday Magazine Sections.
It was no strain upon the eyes to gaze upon Mrs. F. Fodderwood Bass; nor
yet upon her photograph. Nor did she consciously and willfully deny any
properly respectful person the opportunity. A distinguished portrait
painter once had said, shortly after completing a commission which
brought him large pecuniary returns from Mr. F. Fodderwood Bass, that
Mrs. F. Fodderwood Bass possessed the most beautiful profile on the
entire North American continent. When in company the recipient of this
tribute kept her side face turned to the majority present--the greatest
possible good to the greatest possible number, you see. She had one
secret regret: one could not walk sideways--or, at least, one could not
for any considerable distance.
Public-domain text, read in full here on John Shaqi.
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