An energetic man in laced boots and a flannel shirt--Mr. Harcourt called
him the director--peered angrily into the perspective of the scene and,
waving a pasteboard megaphone in command, ordained that a distant
mountain should come ten feet nearer to him. Alongside of this young man
Mohammed was an amateur. For the mountain did obey, advancing ten feet,
no more and no less. Half a score of young men in cowboy garb enshrouded
themselves in flowing white draperies, took long, tasselled spears in
their hands, and swung themselves upon the backs of horses--and, behold,
a tribe of Bedouins trotted through the crowded, winding way, scattering
mendicants, priests, camel drivers and peddlers from before their path.
Upon the edge of all this Chester K. Pilkins hovered as one entranced.
He had lost Mrs. Pilkins; he was separated from Mr. Harcourt.
He became aware of three damsels of tender years who sat in a row upon
a pile of rough lumber near at hand. They wore flowing robes of many
colours; they were barefooted, their small toes showing pleasantly pink
and white below the hems of their robes, and their arms were drawn
primly behind them. He watched them. Although manifestly having no part
in the scene then being rehearsed for filming, they continued to hold
their arms in this restrained and presumably uncomfortable attitude,
as though they might be practising some new form of a deep-breathing
exercise.
As he watched, one of the three, catching his eye, arose and came
padding her little bare feet through the dust to where he stood.
"Do me a favour?" she inquired archly.
"Why--why, yes, certainly, if possible," answered Mr. Pilkins.
"Sure, it's possible. See this?" She shook her head, and a wayward
ringlet which dangled down against one cheek was agitated to and fro
across her pert face. "Well, it's tickling my nose something fierce.
Tuck it back up out of sight, will you?"
"I'm--I'm afraid I don't understand," stammered Mr. Pilkins, jostled
internally.
She turned slowly round, and he saw then that her wrists were crossed
behind her back and firmly bound together with a length of new cotton
rope.
"I'm one of the captive Armenians," she explained, facing him again.
"More'n a hour ago Wagstaff--he's the assistant director--he tied us up.
We gotta stay all tied up, just so, till our scene goes on. He's such a
bug on all them little details--Wagstaff is! Go on--be a good fella and
get this hair up out of my face, won't you? I'll be sneezing my head
off in another minute. But say--mind the make-up."
A brightish pink in colour, Mr. Pilkins extended a helping hand,
tingling inside of himself.
"Chester!"
It was his master's voice, speaking with most decided masterfulness. As
though the errant curl had been red-hot Mr. Pilkins jerked his
outstretched fingers back. The Armenian maiden retired precipitately,
her shoulders twitching.
"Chester, come here!"
Chester came, endeavouring, unsuccessfully, to avoid all outward
semblance of guilt.
Public-domain text, read in full here on John Shaqi.
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