Seated in the darkened auditorium they watched the play unfold upon the
screen. They watched while the hero, a noble son of the Arabic sands,
rescued the heroine, who was daughter to a comedy missionary, from the
clutches of the wicked governor-general. They saw the barefoot Armenian
maids dragged by mocking nomads across burning wastes to the tented den
of a villainous sheik, and in the pinioned procession Chester recognised
the damsel of the truant curl and the ticklish nose. They saw the
intrepid and imperturbable American correspondent as, unafraid, he stood
in the midst of carnage and slaughter, making notes in a large
leather-backed notebook such as all newspaper correspondents are known
to carry. But on these stirring episodes Chester K. Pilkins looked with
but half an eye and less than half his mind. He was waiting for
something else.
Eventually, at the end of Reel Four, his waiting was rewarded, and he
achieved the ambition which all men bear within themselves, but which
only a few, comparatively speaking, ever gratify--the yearning to see
ourselves as others see us. While the blood drummed in his heated
temples Chester Pilkins saw himself, and he liked himself. I do not
overstretch the truth when I say that he liked himself first-rate. And
when, in the very midst of liking himself, he reflected that elsewhere
over the land, in scores, perhaps in hundreds of places such as this
one, favoured thousands were seeing him too--well, the thought was
well-nigh overpowering.
* * * * *
For the succeeding three nights Mr. Pilkins' fireside knew him not. The
figure of speech here employed is purely poetic, because, as a matter of
fact, the house was heated by steam. But upon each of these three
evenings he sat in the Bijou Palace, waiting for that big moment to come
when he before his own eyes should appear. Each night he discovered new
and pleasing details about himself--the set of his head upon his
shoulders, the swing of his arm, the lift of his leg; each night, the
performance being ended, he came forth regarding his fellow patrons
compassionately, for they were but the poor creatures who had made up
the audience, while he veritably had been not only part of the audience
but part of the entertainment as well; each night he expected to be
recognised in the flesh by some emerging person of a keen discernment of
vision, but was disappointed here; and each night he went home at
ten-forty-five and told Gertrude Maud that business on the other side of
the bridge had detained him. She believed him. She--poor, blinded
wretch--did not see in his eyes the flickering reflection of the spark
of desire, now fanning into a flame of resolution within the brazier of
his ribs.
Public-domain text, read in full here on John Shaqi.
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