Women -- Social conditions -- 19th century -- Fiction
Full soon was the veil of mystery then withdrawn, and Villiers and his
wife let into the arcana of their cousin's life. Horatio had yielded
unwillingly to Clorinda's intreaties, and extracted many promises from
her before he gave his consent; but all would not do--the natural, the
uncontrollable violence of her disposition broke down every barrier; and
in spite of his caution, and her struggles with herself, the reality
opened fearfully upon the English pair. The lava torrent of Neapolitan
blood flowed in her veins; and restraining it for some time, it at last
poured itself forth with volcanic violence. It was at the inn at
Terracina, on their way to Rome, that a scene took place, such as an
English person must cross Alps and Apennines to behold. Ethel had seen
that something was wrong. She saw the beauty of Clorinda vanished,
changed, melted away and awfully transformed into actual ugliness: she
saw tiger like glances from her eyes, and her lips pale and quivering.
Poor Saville strove, with gentle words, to allay the storm to which some
jealous freak gave rise: perceiving that his endeavours were vain, he
rose to quit the room. They were at dinner: she sprung on him with a
knife in her hand: Edward seized her arm; and she sunk on the floor in
convulsions. Ethel was scarcely less moved. Seeing her terrified beyond
all expression, Horatio led her from the room. He was pale--his voice
failed him. He left her; and sending Edward to her, returned to his
wife.
The same evening he said to Villiers,--"Do not ask me to stay;--let me
go without another word. You see how it is. With what Herculean labour I
have concealed this sad truth so long, is scarcely conceivable. When
Ethel's sweet smile has sometimes reproached my tardiness, I have
escaped, but half alive, from a scene like the one you witnessed.
"In a few hours, it is true, Clorinda will be shocked--full of
remorse--at my feet;--that is worse still. Her repentance is as violent
as her rage; and both transform her from a woman into something too
painful to dwell upon. She is generous, virtuous, full of power and
talent; but this fatal vehemence more than neutralizes her good
qualities. I can do nothing; I am chained to the oar. I have but one
hope: time, reason, and steadiness of conduct on my part, may subdue
her; and as she will at no distant period become a mother, softer
feelings may develop themselves. Sometimes I am violently impelled to
fly from her for ever. But she loves me, and I will not desert her. If
she will permit me, I will do my duty to the end. Let us go back now.
You will return to Naples next winter; and with this separation, which
will gall her proud spirit to its core, as a lesson, I hope by that time
that she will prove more worthy of Ethel's society."
Public-domain text, read in full here on John Shaqi.
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