Women -- Social conditions -- 19th century -- Fiction
The arrival of Lord Maristow and his daughters was at first full of
benefit to the discordant pair. Clorinda was really desirous of
obtaining their esteem, and she exerted herself to please: when they
talked of her return to England with them, it only excited her to try to
render Italy so agreeable as to induce them to remain there. They were
not like Ethel. They were good girls, but fashionable and fond of
pleasure. Clorinda devised a thousand amusements--concerts, tableaux,
the masquerades of the carnival, were all put in requisition. They
carried their zeal for amusement so far as to take up their abode for a
day or two at Pompeii, feigning to be its ancient inhabitants, and,
bringing the _corps operatique_ to their aid, got up Rossini's opera of
the Ultimi Giorni di Pompeii among the ruins, ending their masquerade by
a mimic eruption. These gaieties did not accord with the classic and
refined tastes of Saville; but he was glad to find his wife and sisters
agree so well, and under the blue sky, and in the laughing land of
Naples, it was impossible not to find beauty and enjoyment even in
extravagance and folly.
Still, like a funeral bell heard amidst a feast, the name of England,
and the necessity of her going thither, struck on the ear and chilled
the heart of the Neapolitan. She resolved never to go; but how could she
refuse to accompany her husband's sisters? how resist the admonitions
and commands of his father? She did not refuse therefore--she seemed to
consent--while she said to Saville, "Poison, stab me--cast me down the
crater of the mountain--exhaust your malice and hatred on me as you
please here--but you shall never take me to England but as a corpse."
Saville replied, "As you will." He was tired of the struggle, and left
the management of his departure to others.
One day his sisters described the delights of a London season, and
strove to win Clorinda by the mention of its balls, parties, and opera;
they spoke of Almack's, and the leaders of fashion; they mentioned Lady
Lodore. They were unaware that Clorinda knew any thing of their brother's
attachment, and speaking of her as one of the most distinguished of
their associates in the London world, made their sister-in-law aware,
that when she made a part of it, she would come into perpetual contact
with her rival. This allusion caused one of her most violent paroxysms
of rage as soon as she found herself alone with her husband. So frantic
did she seem, that Horatio spoke seriously to his father, and declared
he knew of no argument nor power which could induce Clorinda to
accompany them to England. "Then you must go without her," said Lord
Maristow; "your career, your family, your country, must not be
sacrificed to her unreasonable folly." And then, wholly unaware of the
character of the person with whom he had to deal, he repeated the same
thing to Clorinda. "You must choose," he said, "between Naples and your
husband--he must go; do you prefer being left behind?"
Public-domain text, read in full here on John Shaqi.
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