Women -- Social conditions -- 19th century -- Fiction
one like her--she brought to his recollection his own young feelings
before experience had lifted "the painted veil which those who live call
life," or passion and sorrow had tamed the ardour of his mind; he looked
on her with admiration, and yet with compassion, wondering where and how
the evil spirit of the world would show its power to torment, and
conquer the free soul of the disciple of wisdom.
Yet Saville's own mind was rather rebuked than tamed: he knew what
suffering was, yet he knew also how to endure it, and to turn it to
advantage, deriving thence lessons of fortitude, of forbearance, and
even of hope. It was not, however, till the seal on his lips was taken
off, and the name of Cornelia mentioned, that he became aware that the
same heart warmed his bosom, as had been the cause at once of such
rapture and misery in former times. Yet even now he did not acknowledge
to himself that he still loved, passionately, devotedly loved, Lady Lodore.
The image of the pale Clorinda stretched on the pavement--his
victim--still dwelt in his memory, and he made a sacrifice at her tomb
of every living feeling of his own. He fancied, therefore, that he spoke
coldly of Cornelia, with speculation only, while in fact, at the very
mention of her name a revulsion took place in his being--his eyes
brightened, his face beamed with animation, his very figure enlarged,
his heart was on fire within him. Villiers saw and appreciated these
tokens of passion; but Ethel only perceived an interest in her mother,
shared with herself, and was half angry that he made no professions of
the constancy of his attachment.
Public-domain text, read in full here on John Shaqi.
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