Logic as the Science of the Pure ConceptCroce, Benedetto
Philosophy
Logic as the Science of the Pure Concept
Croce, Benedetto
Logic
We are concerned only to demonstrate more clearly that the demand
inherent in such attempts is identical with that which leads to the
establishing of a doctrine of the categories or a philosophic system.
It is indeed possible to discover now and then in the demands for a
classification of the sciences, two demands, the one limited, the other
wider. The first takes the form of a demand for a classification of the
forms of knowledge, as in the Baconian system, and in the others which
repeat the type. Here the sciences are divided according to the three
faculties, memory (natural and civil history), imagination (narrative,
dramatic and parabolical poetry), and reason (theology, philosophy of
nature and philosophy of man). The other tends to a classification
not according to gnoseological forms alone, but according to objects,
according to all the real principles of being, as in the system of
Comte and in those derived from it. Now a classification of the first
kind coincides with researches relating to the forms of the theoretic
spirit, and the problems that it exposes cannot be solved save by
penetrating into the problems of these forms. Otherwise it is not
possible to say if, for example, the Baconian classification be exact
or no, and if not, where it should be corrected. But in passing to
the other form of classification, according to objects or to the real
principles of being, we pass from the sea to the ocean, because that
coincides with the entire philosophic system. The classification of
Comte, for example, is his positivism itself, and it is not possible to
accept or refute or evaluate the one, without accepting or refuting or
submitting to examination the other. There are people who ingenuously
believe that they can understand things by representing them on a
sheet of paper, in the form of a genealogical tree or of a table rich
in graphic signs of inclusion and exclusion. But when we seriously
engage upon the work, we perceive that in order to draw up the tree and
construct the table, it is above all things needful to have understood
them. The pen falls from the hand and the head is obliged to bend
itself in meditation, when it does not prefer to abandon the dangerous
game and amuse itself in other ways.
[Sidenote: _Forms of knowledge and literary-didactic forms._]
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