Now, remembering that there are four Figures, and four kinds of propositions (A. I. E. O.), each of which propositions may be major premise, minor premise, or conclusion of a syllogism, it appears that in each Figure there may be 64 Moods, and therefore 256 in all. On examining these 256 Moods, however, we find that only 24 of them are valid (i.e., of such a character that the conclusion strictly follows from the premises), whilst 5 of these 24 are needless, because their conclusions are 'weaker' or less extensive than the premises warrant; that is to say, they are particular when they might be universal. Thus, in Figure I., besides the above 4 Moods, A.A.I. and E.A.O. are valid in the sense of being conclusive; but they are superfluous, because included in A.A.A. and E.A.E. Omitting, then, these 5 needless Moods, which are called 'Subalterns' because their conclusions are subaltern (chap. vii. § 2) to those of other Moods, there remain 19 Moods that are valid and generally recognised. § 4. How these 19 Moods are determined must be our next inquiry. There are several ways more or less ingenious and interesting; but all depend on the application, directly or indirectly, of the Six Canons, which were shown in the last chapter to be the conditions of Mediate Inference. (1) One way is to begin by finding what Moods of Figure I. conform to the _Dictum_. Now, the _Dictum_ requires that, in the major premise, P be predicated of a term distributed, from which it follows that no Mood can be valid whose major premise is particular, as in I.A.I. or O.A.O. Again, the _Dictum_ requires that the minor premise be affirmative ("with which term another is identified"); so that no Mood can be valid whose minor premise is negative, as in A.E.E. or A.O.O. By such considerations we find that in Figure I., out of 64 Moods possible, only six are valid, namely, those above-mentioned in § 3, including the two subalterns. The second step of this method is to test the Moods of the Second, Third, and Fourth Figures, by trying whether they can be reduced to one or other of the four Moods of the First (as briefly illustrated in § 1, and to be further explained in § 6). (2) Another way is to take the above six General or Common Canons, and to deduce from them Special Canons for testing each Figure: an interesting method, which, on account of its length, will be treated of separately in the next section. (3) Direct application of the Common Canons is, perhaps, the simplest plan. First write out the 64 Moods that are possible without regard to Figure, and then cross out those which violate any of the Canons or Corollaries, thus: AAA, [\A\A\E] (6th Can. b). AAI. [\A\A\O] (6th Can. b). [\A\E\A] (6th Can. a) AEE, [\A\E\I] (6th Can. a) AEO, [\A\I\A] (Cor. ii.) [\A\I\E] (6th Can. b) AII, [\A\I\O] (6th Can. b) [\A\O\A] (6th Can. a) [\A\O\E] (Cor. ii.) [\A\O\I] (6th Can. a) AOO.