Lola's arrival in the troubled state of England passed almost unnoticed. She determined to try her fortunes once more upon the stage, and found, of course, as a celebrity, that she was _persona grata_ to the managers and agents. The directors of Covent Garden conceived the ingenious idea of presenting her as herself in a dramatic representation of the recent events at Munich. The play was written and entitled, "Lola Montez, ou la Comtesse d'une Heure," but the Lord Chamberlain declined to license a performance in which living royal personages were introduced.[19] The scheme fell through, and Lola, having a private income to fall back upon, retired into lodgings at 27 Halfmoon Street, Mayfair. There "she invited a few men, including myself," writes the Hon. F. Leveson Gower, "to visit her in the evening. She had lost much of her good looks, but her animated conversation was entertaining."[20] The journalist, George Augustus Sala, then a very young man, describes Lola on the contrary, as a very handsome lady, "originally the wife of a solicitor," whom he met at a little cigar-shop, under the pillars, in Norreys Street, Regent Street. She proposed that he should write her life, "starting with the assumption that she was a daughter of the famous matador, Montes."[21] Lola's imaginative powers, especially when directed to inventing romantic origins for herself, rivalled those of the heroine of "The Dynamiter." Lord Brougham, that learned but relatively susceptible Chancellor, she also claimed acquaintance with; he lived not far from her, in Grafton Street. It is probable that a woman of Lola's beauty, wit, and remarkable attainments would have numbered the most brilliant and distinguished men in London among her associates, whatever attitude may have been assumed towards her by the little clique of prigs and prudes that arrogated to itself the title of Society. XXVII A SECOND EXPERIMENT IN MATRIMONY