Lola Montez : $b An adventuress of the 'fortiesD'Auvergne, Edmund B. (Edmund Basil)
History
Lola Montez : $b An adventuress of the 'forties
D'Auvergne, Edmund B. (Edmund Basil)
Montez, Lola, 1818-1861
"On the 9th October, 1846, as I was going down Briennerstrasse, near
the Bayersdorf Palace, I saw coming my way a lady, gowned in black,
with a veil thrown over her head, and a fan in her hand. Suddenly
something seemed to flash across my vision, and I stood stock still,
gazing into the eyes that had dazzled me. They shone upon me from a
pale countenance, which assumed a laughing expression before my
bewildered stare. Then she went, or rather swept on, past me. I forgot
all my governess's injunctions against looking round, and stood
staring after her, till she disappeared from view. Like her, I told
myself, must have been the fairies in the nursery tales. I returned
home breathless, and told them of my adventure. 'That,' said my
father, grimly, 'must have been the Spanish dancer, Lola Montez.'
"I went to the Court Theatre on Saturday, the 10th October; I came
much too early to my seat, and read full of eagerness the
announcement: '_Der verwunschene Prinz_, a play in three acts, by J.
von Ploetz. During the two _entr'actes_, Mademoiselle Lola Montez of
Madrid will appear in her Spanish national dances.' Full of impatience
I saw the curtain rise, sat through the first act, and saw the curtain
fall again. Now it rose once more, and I saw my fairy of
yesterday--Lola Montez.
"In the pit they clapped and hissed; the last, explained my neighbour,
because of the rumours abroad that Lola was an emissary of the English
Freemasons, an enemy of the Jesuits--a coquette, too, who had had
amorous adventures in all parts of the world, according to the
newspapers.
"Lola Montez took the centre of the stage, clothed not in the usual
tights and short skirts of the ballet girl, but in a Spanish costume
of silk and lace, with here and there a glittering diamond. Fire
seemed to shoot from her wonderful blue eyes, and she bowed like one
of the Graces before the King, who occupied the royal box. Then she
danced after the fashion of her country, swaying on her hips, and
changing from one posture to another, each excelling the former in
beauty.
"While she danced she riveted the attention of all the spectators,
their gaze followed the sinuous swayings of her body, in their
expression now of glowing passion, now of lightsome playfulness. Not
till she ceased her rhythmic movements was the spell broken....
Public-domain text, read in full here on John Shaqi.
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