Lola Montez : $b An adventuress of the 'fortiesD'Auvergne, Edmund B. (Edmund Basil)
History
Lola Montez : $b An adventuress of the 'forties
D'Auvergne, Edmund B. (Edmund Basil)
Montez, Lola, 1818-1861
_Punch_, as a suggestion for a colossal statue of Bavaria,
represents Lola upholding a banner inscribed "Freedom and the Cachuca."
The "good little thing" of Simla wielded the sceptre, and wielded it
well.
XXIII
THE UNCROWNED QUEEN OF BAVARIA
George Henry Francis, an English journalist, a resident of Munich at that
time, and afterwards editor of the _Morning Post_, contributed the
following account of Lola's manner of life at this period to _Fraser's
Magazine_ for January 1848:--
"The house of Lola Montez at Munich presents an elegant contrast to
the large, cold, lumbering mansions, which are the greatest defect in
the general architecture of the city. It is a _bijou_, built under her
own eye, by her own architect,[16] and it is quite unique in its
simplicity and lightness. It is of two storeys, and, allowing for its
plainness, is in the Italian style. Elegant bronze balconies from the
upper windows, designed by herself, relieve the plainness of the
exterior; and long, muslin curtains, slightly tinted, and drawn close,
so as to cover the windows, add a transparent, shell-like lightness to
the effect. Any English gentleman (Lola has a great respect for
England and the English) can, on presenting his card, see the
interior; but it is not a 'show place.' The interior surpasses
everything, even in Munich, where decorative painting and internal
fitting has been carried almost to perfection. We are not going to
write an upholsterer's catalogue, but as everything was done by the
immediate choice and under the direction of the fair Lola, the general
characteristics of the place will serve to illustrate her character.
Such a tigress, one would think, would scarcely choose so beautiful a
den. The smallness of the house precludes much splendour. Its place is
supplied by French elegance, Munich art, and English comfort. The
walls of the chief room are exquisitely painted by the first artists
from the designs found in Herculaneum and Pompeii, but selected with
great taste by Lola Montez. The furniture is not gaudily rich, but
elegant enough to harmonise with the decorations. A small winter room,
adjoining the larger one, is fitted up, quite in the English style,
with papered walls, sofas, easy-chairs, all of elegant shape. A
chimney, with a first-rate grate of English manufacture, and rich,
thick carpets and rugs, complete the illusion; the walls are hung with
pictures, among them a Raphael. There are also some of the best works
of modern German painters; a good portrait of the King; and a very bad
one of the mistress of the mansion. The rest of the establishment
bespeaks equally the exquisite taste of the fair owner. The
drawing-rooms and her boudoir are perfect gems. Books, not of a
frivolous kind, borrowed from the royal library, lie about, and help
to show what are the habits of this modern Amazon.
Public-domain text, read in full here on John Shaqi.
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