It is to be remarked that several altars dedicated to Hercules have been found in Britain: one at Corbridge is inscribed in Greek to the Syrian Hercules—that is, the same who had the famous temple at Gades. During the Roman rule, the Olympian gods and minor classical genii were, of course, fully adopted, and the monuments show interesting transitions of thought. Jove became a single supreme deity, while the most of the other chief gods were associated with the planets and the days of the week—1 Sol, 2 Luna, 3 Mars, 4 Mercury, 5 Jupiter, 6 Venus, 7 Saturn. This stage of thought is represented by the Jove and Giant Pillars before described. [Illustration: FIG. 75. ] On the fragment from Chesterford at the British Museum we have Mercury with his wand, Jupiter with bearded face, and Venus with a mirror. These figures can be completed by comparison with others. There is a relief of Mercury at Gloucester. Another, illustrated by Espèrandieu, is of the same sort; he seems always to have carried a pouch in his right hand (Fig. 75). At the Goldsmiths’ Hall is a little altar having a relief of Diana on the front, a group of sacrificial utensils on the back, and simple reliefs of two trees on the returns. The figure is charming, graceful and well proportioned. The pose and setting in the panel are very similar to the soldier relief at Colchester, and I should date it about the same time, A.D. 100-150. The figure is very like a small bronze found near St. Paul’s, of which Allen gave an illustration; that also held a bow, and with the lifted right hand took an arrow from the quiver behind her shoulder. The objects carved on the back of the altar are a table of offerings (compare the leg of a piece of furniture in Leicester Museum), a jug and probably a dipper (Fig. 76). Archer, who published etchings of the reliefs, thought he saw a hare here, but this was a misreading of the obscure forms. This altar must have belonged to some temple or shrine. As Dr. Haverfield says of a somewhat similar relief of Diana found near Bath: “We need not doubt that passers-by worshipped Diana of the Romans.” [Illustration: FIG. 76. ] At the Guildhall is the upper part of a terra-cotta image of Ceres, and fragments of a Hercules, perhaps from a tomb, were found at Ludgate in 1806. There are many small bronze figures in our museums—altogether quite a Pantheon could be made up of images found in Britain, and these, I feel, belong to us in a special way. In the form of impersonations of the days, the seven gods might still be available in a modern art language if we had sufficient sense to construct such an Esperanto.[2] Footnote 2: I may say here that I have made some collections for a sort of Art-language Dictionary, attempting to register such forms and symbols as might be available for modern use, but I suppose nothing will come of it.