London (England) -- History; London (England) -- Social life and customs
It is easy, with the help of Stow, and with the names of the streets
before one, to map out the chief market-places and the shops. It is not
so easy to lay down the places where those dwelt who carried on
handicrafts. Stow indicates here and there a few facts. The Founders of
candlesticks, chafing-dishes, and spice mortars carried on their work in
Lothbury; the coal-men and wood-mongers were found about Billingsgate
stairs; since the Flemish weavers met in the church-yard of Lawrence
Pountney, they lived presumably in that parish. For the same reason the
Brabant weavers probably lived in St. Mary Somerset parish. The furriers
worked in Walbrook; the curriers opposite London Wall; upholsterers or
undertakers on Cornhill; cutlers worked in Pope's Head Alley;
basket-makers, wire-drawers, and "other foreigners" in Blond Chapel, or
Blanch Appletone Lane. In Mincing Lane dwelt the men of Genoa and other
parts who brought wine to the port of London in their galleys. The
turners of beads for prayers lived in Paternoster Row; the bowyers in
Bowyer Row; other crafts there are which may be assigned to their
original streets. Sometimes, but not always, the site of a company's
hall marks the quarter chiefly inhabited by that trade. Certainly the
vintners belonged to the Vintry, where is now their hall, and the
weavers to Chepe, where they still have their hall. When, however, the
management of a trade or craft passed into the hands of a company, there
was no longer any reason, except where men had to work together, why
they should live together. Since there could be no combined action by
the men, but, on the contrary, blind obedience to the Warden, they might
as well live in whatever part of the City should be the most convenient.
From the absence of great houses, whether of nobles or princes, in the
north of the City, one is inclined to believe that great numbers of
craftsmen lived in that part, namely, between what is now called Gresham
Street and London Wall.
Public-domain text, read in full here on John Shaqi.
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