London and Its Environs Described, vol. 1 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round ItAnonymous
History
London and Its Environs Described, vol. 1 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It
Anonymous
London (England) -- Description and travel -- Early works to 1800; London (England) -- Gazetteers -- Early works to 1800
It has been already observed, that in the middle of the east end of
the nave is situated the magnificent tomb of Henry VII. this is
enclosed with a screen of cast brass, most admirably designed, and
executed; this screen is nineteen feet in length, eleven in breadth,
and the same in height. It is ornamented with statues, of which those
only of St. James, St. Bartholomew, St. George, and St. Edward, are
now remaining; and also adorned with other devices alluding to King
Henry the Seventh’s family; as portcullises, signifying his relation
to the Beaufort’s by his mother’s side; roses twisted and crowned, in
memory of the union of the two houses of Lancaster and York, by his
marriage; and at each end a crown in a bush, alluding to the crown of
Richard III. found in a hawthorn bush, near Bosworth field, where the
famous battle was fought in which Richard lost his life. Within the
rails are the effigies of the royal pair, in their robes of state, on
a tomb of black marble, the head whereof is supported by a red dragon
the ensign of Cadwalladar, from whom King Henry VII. was fond of
tracing his descent, and the foot by an angel.
At the head of this tomb lie the remains of Edward VI. grandson to
Henry VII. who died in the sixteenth year of his age, and the seventh
of his reign. A fine monument was erected to his memory by Queen Mary,
his sister and successor; it was adorned with curious sculpture
representing the passion and resurrection of our Saviour; with two
angels on the top kneeling; and the whole elegantly finished; but it
was afterwards demolished as a relict of Popish superstition.
On one side of Henry the Seventh’s tomb in a small chapel, in which is
the monument of Lewis Stuart Duke of Richmond, and Frances his wife;
whose statues in cast brass are represented lying on a marble table
under a canopy of brass curiously wrought, and supported by the
figures of Faith, Hope, Charity, and Prudence; and on the top is a
figure of Fame taking her flight, and resting only on her toe.
On the north side of Henry the Seventh’s tomb is a monument decorated
with several emblematical figures in brass gilt; the principal is
Neptune in a pensive posture with his trident reversed, and Mars with
his head crushed; these support the tomb on which lie the effigies of
George Villars Duke of Buckingham, the great favourite of King James
I. and King Charles I. who fell a sacrifice to the national resentment
by the hand of Felton. His Grace married Catharine, daughter to the
Earl of Rutland, who erected this monument to his memory, and lies in
effigy on the same tomb by his side. The Latin inscription, after
recounting his noble qualities, and high titles, alludes to the story
of his death.
Public-domain text, read in full here on John Shaqi.
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