London and Its Environs Described, vol. 5 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round ItAnonymous
History
London and Its Environs Described, vol. 5 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It
Anonymous
London (England) -- Description and travel -- Early works to 1800; London (England) -- Gazetteers -- Early works to 1800
_The curiosities in this cathedral which strangers pay for seeing._ On
entering the south door, there is a pair of stairs within a small door
on the right, leading to the cupola, and the stranger by paying two
pence may gratify his curiosity with a prospect from the iron gallery at
the foot of the lanthorn, which in a clear day affords a fine view of
the river, of this whole metropolis and all the adjacent country,
interspersed with pleasant villages.
The ascent to this gallery is by 534 steps, 260 of which are so easy
that a child may without difficulty ascend them; but those above are
unpleasant, and in some places very dark; but the little light that is
afforded is sufficient to shew amazing proofs of the wonderful
contrivances of the architect. But as the first gallery, surrounded by a
stone balustrade, affords a very fine prospect, many are satisfied, and
unwilling to undergo the fatigue of mounting higher.
On the stranger’s descent he is invited to see the whispering gallery,
which will likewise cost two pence; he here beholds to advantage the
beautiful pavement of the church, and from hence he has the most
advantageous view of the fine paintings in the cupola. Here sounds are
magnified to an astonishing degree; the least whisper is heard round the
whole circumference; the voice of one person softly speaking against the
wall on the other side, seems as if he stood at our ear on this, though
the distance between them is no less than an hundred and forty feet: and
the shutting of the door resounds through the place like thunder, or as
if the whole fabric was falling asunder. To this gallery there is an
easy ascent for persons of distinction, by a most beautiful flight of
stairs.
The stranger is next invited to see the library, the books of which are
neither numerous nor valuable; but the floor is artfully inlaid without
either nails or pegs, and the wainscoting and book cases are not
inelegant.
The next curiosity is the fine model Sir Christopher first caused to be
made for building the new cathedral. It was not taken from St. Peter’s
at Rome, as is pretended; but was Sir Christopher’s own invention, and
the model on which he set the highest value; and it is a great pity,
that what was performed as the utmost exertion of the abilities of this
great architect, should be suffered to run to decay.
He is next shewn the great bell in the south tower, which weighs 84 c.
weight. On this bell the hammer of the great clock strikes the hour, and
on a smaller bell are struck the quarters.
The last thing shewn, are what are vulgarly called the geometry stairs,
which are so artfully contrived as to hang together without visible
support; but this kind of stairs, however curious in themselves, are
neither new nor uncommon. _Parentalia. Historical account of the
curiosities of London_, &c.
Public-domain text, read in full here on John Shaqi.
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