London and the Kingdom - Volume 3: A History Derived Mainly from the Archives at Guildhall in the Custody of the Corporation of the City of London.Sharpe, Reginald R. (Reginald Robinson)
History
London and the Kingdom - Volume 3: A History Derived Mainly from the Archives at Guildhall in the Custody of the Corporation of the City of London.
Sharpe, Reginald R. (Reginald Robinson)
London (England) -- History
The Common Council expressed much sympathy with the sufferers, whose
only fault had been to assemble for the purpose of lawfully and
peacefully discussing public grievances, and they petitioned the
Regent for a full and immediate enquiry into the outrage and for the
punishment of the authors. They assured his highness that he had been
deceived by false representations, otherwise he would never have
been induced to express approval of the conduct of the abettors and
perpetrators of the late atrocities.[743] The Prince in reply flatly
told the citizens they knew nothing about the real state of the case,
and this "most gracious" answer was ordered to be entered in the
Journal of the Court.[744]
[Sidenote: The six Acts, 1819.]
The passing of a series of suppressory enactments, known as "The
Six Acts," at an autumn session, gave the Common Council another
opportunity for recommending parliamentary reform. It at the same
time suggested--as reformers of the present day will do well to
remember--_the extension of the municipal form of government_ as a
better panacea for existing evils than more drastic measures.[745] The
Court of Aldermen, on the other hand, kept silence. They had, however,
already passed a number of resolutions upholding the magistracy in
putting down seditious meetings, and calling upon the labouring classes
to have confidence in themselves, and not to be led by agitators, but
to wait patiently until the present difficulties--"springing alone from
the termination of a protracted war"--should pass away.[746]
[Sidenote: Proceedings in Common Hall, 29 Sept., 1819.]
Public-domain text, read in full here on John Shaqi.
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