The church was fortunate enough to escape destruction during the Great Fire in 1666, but it fell into a ruinous state about a century later, and had to be demolished. The present structure, for the erection of which a special Act of Parliament was passed, was commenced in A.D. 1765, and cost £3000. The architect was George Dance the younger, and it was his brother, Sir Nathaniel Dance Holland, R.A., who presented to the church the magnificent painting which hangs over the altar. It was a copy made by himself of the famous picture in the Church of the Conception at Rome by Pietro Berretini di Cortona, a Florentine painter of repute who died in 1669. The subject is the restoration to sight of Saul of Tarsus (St. Paul) by Ananias at Damascus. The fifteenth-century monk in the crowd gives a quaint touch of mediævalism to the scene. The architecture of the church deserves a passing notice. The plan is intended to reproduce a modified Roman Basilican church, but the evidences of the Greek revival are shown in the character of the Ionic capitals of the interior columns, as well as in the famous Greek honeysuckle ornament, which appears both in the Roman barrel-vault of the ceiling and in the frieze round the interior walls. The church is almost unique in representing the transition stage between the Italian renaissance and the short-lived introduction of the Greek style. Among the most famous rectors during the nineteenth century were the Rev. William Beloe, the well-known translator of Herodotus and Aulus Gellius; the Rev. Robert Nares, the Shakespearian glossary writer; and the Rev. George Davys, who was tutor to the late Queen Victoria, and became successively Rector of Allhallows, Dean of Chester, and Bishop of Peterborough. Returning to our section, from which we have somewhat strayed, we find Wood Street has been already described. In =Noble Street= stood the houses of Sir Nicholas Bacon and Sergeant Fleetwood, Recorder of London. This street is dismissed by Stow in a few words; it faced the City Wall westward, and so long as the Wall was preserved there was an open space of twenty feet at least free from buildings, while without there was the City Ditch. It began at the end of Foster Lane, having the Church of St. John Zachary in the east, and on the west, separated by a block of houses, the Church of St. Anne-of-the-Willows. Going up the street we pass Lilypot Lane, Oat Lane, leading to St. Mary Staining Church (see p. 47), and two or three courts. At the south end of Noble Street was Engain Lane, called also Maiden Lane, Ingelene Lane, or Ing Lane. Here a Roman pavement was found (_Proceedings of Soc. Antiq. Series_, i. 2. p. 184). Riley, in his Introduction to the _Memorials_, thinks that this lane is lost. He supposes, however, that the St. Michael “Hoggene Lane” was St. Michael Queenhithe, instead of St. Michael by Huggin Lane, which is adjacent.