Oak Apple Day, 1672, was a gala day for the market. Then it was that Sir Robert Vyner inaugurated the “nobly great statue of King Charles II. on horseback” which he had, at his own charge, caused to be set upon the conduit at the north end of the same. The King was represented in armour, his head uncovered; the horse trampled beneath its feet the fallen form of Oliver Cromwell. The whole, which was of white marble, stood upon a freestone pedestal 18 feet high, carved with the royal arms and niches containing dolphins. Handsome iron gates and rails enclosed this loyal tribute to a great king. That day the market conduit ran with wine; three years afterwards Sir Robert Vyner was Lord Mayor. Alas! the glory of the statue, as of the monarch it portrayed, was short-lived. It was soon criticised as a clumsy work, and the revelation of its history turned it into a laughing-stock. Early in the eighteenth century it was discovered that the loyal Vyner had found somewhere abroad a statue of John Sobieski, King of Poland, conqueror of the Turks at Choozim. The statue represented the King’s horse trampling on a Turk. It lay on the sculptor’s hands. Sir Robert, seeing the means of paying his sovereign a compliment without great expense, obtained the statue, and secured Latham to substitute the head of Charles for that of the Pole. The downtrodden Turk was christianised into Cromwell, only, unfortunately, Latham omitted to alter the Turk’s turban, which remained intact and incongruous upon Oliver’s head, and served as a confirmation of the story. There is a lampoon on the statue worth quoting. It occurs in Lord Rochester’s _History of the Insipids_ (1676): Could Robert Vyner have foreseen The glorious triumphs of his master, The Woolwich Statue gold had been, Which now is made of alabaster: But wise men think had it been wood ’Twere for a bankrupt king too good.