Guilds -- England -- London; London (England) -- Description and travel; London (England) -- History
The derivation of =Houndsditch= as given by Stow is as unsavoury as the
reputation the street later earned. “Called Hounds-ditch for that in old
time when the same lay open much filth (conveyed forth of the Citie)
especially dead dogges was there laid or cast.” Beyond the mud wall that
enclosed the ditch was a “fayre field” where were the almshouses of the
Priory of Holy Trinity.
“In my youth, I remember,” continues Stow, “devout people as well men as
women of the Citie, were accustomed oftentimes, especially on Frydayes
weekely, to walke that way purposely, and there to bestow their
charitable almes; every poor man or woman lying in their bed within
their window, which was toward the street open so low, that every man
might see them.”
At present looking down Houndsditch from Bishopsgate Within the street
presents a not unpicturesque appearance. On the south, indeed, it is one
continuous row of dull brick box-like houses, but on the north one or
two old projecting houses break the line. No. 96 is an old stuccoed
house which projects in a broad bay above the first floor. Besides these
old houses several high plain warehouses break up the monotony of the
street line. Houndsditch is the centre of the old-clothes trade. To the
north lie huge warehouses and industrial dwellings.
=Bishopsgate=.—There were two northern gates to the Roman wall: one of
them corresponding with Newgate and the other with Bishopsgate. But the
Saxon and mediæval Bishopsgate was not built on the site of the Roman
gate, but a little to the west. The foundations of the Roman gate have
been found in Camomile Street; they were built with carved stones taken
from some Roman building, perhaps a villa, an illustration of my theory
that the wall was built in great haste and that all the stone buildings
of the City were used in its construction.
The massive masonry of the ancient “Newgate” has also been found close
by the later gate in Giltspur Street.
Public-domain text, read in full here on John Shaqi.
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