London Days: A Book of ReminiscencesWarren, Arthur
History
London Days: A Book of Reminiscences
Warren, Arthur
London (England) -- Intellectual life; London (England) -- Social life and customs
We sat at table all the evening talking, George Meredith, John Burns,
and I. Of all the men one had ever heard talk, I can't remember one
who had a charm of voice and speech excelling Meredith's. I can feel
its fascination now across the interval of nearly thirty years. It
was, I have said, a musical voice, but it was more than that. It was
rich and deep and delicate. The enunciation was perfect with a
perfection that was rare and individual; his voice was an instrument
with many banks of keys. Charm was its characteristic, charm that no
{235} one could describe, although many have tried to do so. And his
eyes, you could say, were bluish-grey, or grey-blue, but you could not
say--as they twinkled, or flashed, or seemed at rest like little lakes,
pellucid, undisturbed, or lighted instantly as some humorous or
sympathetic thought moved behind them--you could not say how, or why
they held you, or had the power, a pleasant power, of searching you,
looking through you. There was nothing that you could describe in so
many words, but there was much that you could feel and like. Even when
Meredith spoke of man, or woman, or deed that he did not like, and
spoke with dramatic force, his gaze would not blaze or harden. He
seemed to be searching serenely beyond the surface for the element of
comedy, searching with sympathy and humour for the thing that he could
understand, and understand better than any one else in the world. You
could always touch him with a sympathetic humour. He did not like wise
owls, or rather the owlishness which the run of humans take for wisdom.
His strength, George Meredith's strength, was in his perceptions, his
appreciations; physically he was frail, or was frail then! You would
n't have supposed him ever to have been a great walker and a man of
athletic tendencies. But he had been. Now he walked rather slowly,
with a stick, and seemed glad to stop every few minutes. His face made
me think of a cameo, by the delicacy of its carving. There was
exquisite beauty in it, and the voice enhanced that. But even the most
delicate lines {236} were firmly carved. If you handled him roughly
you might bend him, but you could not break his spirit. At the time I
speak of, he was beyond his years, far beyond them; physically, but in
no other way, he seemed an old and fragile man. And yet neither voice
nor eyes suggested anything of the kind. In spirits and outlook he
retained the keenness of mighty youth. When he talked with us he was
of no age at all, the agelessness of the eternal; it was only when he
walked with us about his garden, or over Box Hill, that the flesh
betrayed, now and then, its limitations. If you had had his eyes, you
might have looked through his body. A strong wind might have carried
him away. But he lived sixteen years after that, and, for all his
touch of melancholy, they were happy years.
Public-domain text, read in full here on John Shaqi.
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