have been crushed, than that the English people, to whom the king's bad
life was an open book, should have suffered him. But perhaps, even this
was less wonderful than their patience with the harsh virtue of the
Puritans. It is not well to be good, or make others be good at the cost
of every ease and grace of life, and though it seems strange and sad
to us republicans that the mighty English commonwealth should have been
supplanted by such a monarchy as that restored in Charles, it may not be
so strange as it was sad. The life which attests itself in the beauties
of Lely and of Kneller on the walls of Hampton Court, when it began to
have its free course was doubtless none the purer for having been frozen
at its source. The world is a long time being saved from itself, and it
has had to go back for many fresh starts. If the beautiful women whose
wickedness is recorded by the court painters in a convention of wanton
looks, rather than by a severally faithful portraiture, can be regarded
simply as a part of the inevitable reaction from a period when men had
allowed women to be better, we shall not have so much difficulty in
showing them mercy. If only after a lapse of twenty years they would not
look so much like old acquaintances who had kept their youth too well,
one need certainly not be shy of them. Even if all the beauties were as
bad as they were painted, there are many other women not ostensibly bad
whose pictures fill Hampton Court; but, knowing what galleries are,
how mortally fatiguing to every fibre, I should not think of making the
reader follow me through the long rooms of the palace, and I will now
own that I even spared myself many details in this second visit of mine.
Public-domain text, read in full here on John Shaqi.
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