The things I had chiefly in mind from my former visit were the beauties
of the Stuarts' time, and of Sir Peter Lely's pencil, in the galleries
of the palace, and the secular grape-vine which I found in its familiar
place in a corner of the conservatories. I will not say which I paid my
devoirs to first, but if it was the vine, I can truly declare that I
did not find it looking a day older since I had seen it last in 1882.
It could hardly have said as much for me, but I reflected that I had not
been two hundred years old to begin with, and consoled myself as I could
in my consciousness that I was really not so young by twenty odd years
as I once was. Yet I think it must be a dull and churlish nature which
would wish to refuse the gentle contemporaneity offered by the unaging
antiquity at Hampton Court. I should at this moment be glad to share
the youthful spirit of the sunken garden which I passed on my way to the
famous vine, and in which with certain shapes of sculpture and blossom,
I admired the cockerels snipped out of arbor-vitae in the taste of a
world more childlike than ours, and at the same time so much older. The
Dutch taste of it all, once removed from a French taste, or twice from
the Italian, and mostly naturalized to the English air by the good
William and Mary (who were perhaps chiefly good in comparison with all
their predecessors from Henry VIII. down to the second and worst of the
Jameses), comes to its most endearing expression in that long arbor of
clipped wych-elms, near the sunken garden, called Mary's bower, which,
on our April afternoon, was woolly with the first effort of its boughs
to break into leaf.
Public-domain text, read in full here on John Shaqi.
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