London in Modern Times: or, Sketches of the English Metropolis during the Seventeenth and Eighteenth Centuries.Unknown
History
London in Modern Times: or, Sketches of the English Metropolis during the Seventeenth and Eighteenth Centuries.
Unknown
London (England) -- History -- 17th century; London (England) -- History -- 18th century
The old national amusements were revived in London on the restoration.
May-day and Christmas resumed their former appearance. The May-pole in
the Strand was erected in 1661. The theatres were re-opened, pouring
forth a flood of licentiousness. The love of show and decoration was
cherished afresh. Dresses and equipages shone in more than their
ancient splendor. In 1661, it was thought necessary to repress the
gilding of coaches and chariots, because of the great waste and expense
of gold in their adorning.
London also witnessed other accompaniments of the restoration. The
regicide trials took place soon after the king's return, and could not
fail deeply to interest, in one way or the other, the mass of the
citizens, many of them personally acquainted with the parties, and
perhaps abettors of the acts for which they were now arraigned.
Charing Cross was the scene of the execution of Harrison, Scrope,
Jones, Hugh Peters, and others. The spirit in which they met their
deaths was very extraordinary. "If I had ten thousand lives," said
Scrope, "I could freely and cheerfully lay them down all to witness in
this matter." Jones, the night before he died, told a friend that he
had no other temptation but this, lest he should be too much
transported, and carried out to neglect and slight his life, so greatly
was he satisfied to die in that cause. Peters, whom Burke styles "a
poor good man," said, as he was going to die, "What, flesh, art thou
unwilling to go to God through the fire and jaws of death? This is a
good day; He is come that I have long looked for, and I shall be with
him in glory; and so he smiled when he went away." Others were
executed at Tyburn; and there, too, the bodies of the protector Oliver
Cromwell, Treton, and Bradshaw, were ignominiously exposed on a gibbet,
having been dug out of their tombs in Westminster Abbey.
[1] He loved paintings and music, and encouraged proficients in elegant
art. "I ventured," says Evelyn, in 1656, "to go to Whitehall, where of
many years I have not been, and found it very glorious and well
furnished."
[2] Perfect Politician, quoted in "London," vol. i, p. 360.
CHAPTER III.
THE PLAGUE YEAR IN LONDON.
Public-domain text, read in full here on John Shaqi.
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