London in Modern Times: or, Sketches of the English Metropolis during the Seventeenth and Eighteenth Centuries.Unknown
History
London in Modern Times: or, Sketches of the English Metropolis during the Seventeenth and Eighteenth Centuries.
Unknown
London (England) -- History -- 17th century; London (England) -- History -- 18th century
But, crippled as his genius was by the untoward position in which he
was placed, he accomplished marvelous works of art in the churches so
numerous and varied, built from his designs, and especially in the
grand cathedral, which rises above the rich group of towers, domes,
steeples, and spires, with a lordly air. It is related, in connection
with the building of St. Dunstan's church in the east, the steeple of
which is constructed upon quadrangular columns, that so anxious was he
respecting the result, that he placed himself on London-bridge,
watching through a lens the effect of removing the temporary
supporters, by the aid of which the building was reared. The ascent of
a rocket proclaimed the stability of the structure, and Sir Christopher
smiled at the thought of his having for a moment hesitated to trust to
the certainty of mathematical calculations. Informed one night
afterwards, that a hurricane had damaged all the steeples in London, he
remarked, "Not St. Dunstan's, I am quite sure." St. Stephen's,
Wallbrook, is generally considered the _chef-d'oeuvre_ of Sir
Christopher Wren. "Had the materials and volume," to quote the opinion
of two celebrated architects, "been so durable and extensive as those
of St. Paul's Cathedral, he had consummated a much more efficient
monument to his well-earned fame than that fabric affords." But the
beauty of the edifice is in the interior. "Never was so sweet a kernel
in so rough a shell--so rich a jewel in so poor a setting." The cost
of the fabric was only £7,652. 13_s._ (Cunninghame's Handbook of
London.)
Public-domain text, read in full here on John Shaqi.
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