London in the Jacobite times, Volume IDoran, Dr. (John)
History
London in the Jacobite times, Volume I
Doran, Dr. (John)
London (England) -- History -- 18th century
Meanwhile, detachments of Horse Guards patrolled the suburbs, and
delegations of Scotch Presbyterian ministers marched up, day after
day, to St. James’s, to congratulate the king on being securely seated
on his throne. Now and then one of the above guards, yielding to love
of liquor, would drink the Pretender’s health, for a draught of ale,
gratis; and would find himself next day, in Newgate, in the company of
priests whose papers and persons had just been seized by Messengers,
or in the place of rebel-prisoners who had just escaped, or who had
died, as _poor_ captives died, of that loathsome confinement. Captivity
could not tame the bolder spirits. Sunderland, the coffee-house man,
locked up for circulating that inflammatory pamphlet,――‘Robin’s Last
Shift,’――talked more Jacobitism in prison than out of it; while
Flint,――ultra-Jacobite author of the ‘Weekly Remarks,’――wrote more
seditiously in his cell than in his own printing office;――till orders
came down to keep pen, ink, and paper from a man who made such bad use
of them.
[Sidenote: _POLITICS ON THE STAGE._]
As Oxford and Cambridge represented, the first, Tory;――the second, Whig
principles; so Drury Lane Theatre was popular with the Whigs, while
the house in Lincoln’s Inn Fields lay under the suspicion of being
Jacobite. The suspicion probably arose from the fact that, in the days
of Queen Anne, one of the company, the handsome actor, Scudamore, had
often gone to St. Germain as an agent of the London Jacobites. The
Lincoln’s Inn Fields’ players, however, repudiated all grounds for
suspicion against their loyalty. Mrs. Knight, on the occasion of her
benefit, published an address in which she told the Jacobites their
money was as good as that of other people, but that their political
principles were _not_ so good. She told the Whigs that her ‘zeal for
government had been expressed in the worst of times.’ At night, she
delivered an epilogue, in the character she had been playing, ‘Widow
Lockit,’ in which politics were thus introduced into the domain of the
drama:――
Whatever t’other House may say to wrong us,
We have, as well as they, some honest Whigs among us,
Who do our Country’s Enemies disdain,
And hate disloyalty as much as Drury Lane.
But there were dramas elsewhere, as interesting as any on the stage.
[Sidenote: _SIMON FRASER, AS A WHIG._]
Public-domain text, read in full here on John Shaqi.
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