London in the Jacobite times, Volume IDoran, Dr. (John)
History
London in the Jacobite times, Volume I
Doran, Dr. (John)
London (England) -- History -- 18th century
The pulpits thereupon began to ring, but the Government made a
commendable attempt to muzzle the preachers, whether the latter were
blind adversaries or blinder advocates. The employment of violent
and malevolent terms against any persons whatsoever was prohibited.
The ‘intermeddling,’ in sermons, with affairs of state, was strictly
forbidden. The authorities, in fact, enjoined Christian ministers to
observe the charity which is the leading feature in Christianity.
The ministers, for the most part, claimed and exercised a rather
unchristian liberty. Foremost among the blaring trumpeters who sounded
on the Hanoverian side was White Kennett, Dean of Peterborough.
Kennett was a man who, in his early days, had offended the Whigs, by
his political publications; and, something later, had gratified the
Tories by putting forth an English translation of Pliny’s panegyric
upon Trajan, which was supposed to apply to James II.; while, at the
same time, he displeased the Jacobites by declaiming against popery and
by refusing to read the royal declaration of indulgence. The Whigs
whom he had offended, he appeased by his fierce opposition to
Sacheverel. Kennett was a man of great parts, as it is called, and was
particularly qualified for maintaining his opinions in a controversy.
Scholar, gentleman, priest and politician, he steadily went up the
ladder of preferment, till his merits and patronage had now brought
him to the deanery of Peterborough and the rectory of St. Mary,
Aldermanbury ◆[Sidenote: _A FAMOUS SERMON._]◆. It was in the church so
named that Kennett, on September 25th, 1715, preached his famous sermon
on witchcraft. The text was taken from 1 Samuel, xv. 23:――‘Rebellion is
as the sin of witchcraft, and stubbornness is as iniquity and idolatry.
Because thou hast rejected the word of the Lord, He hath also rejected
thee from being king.’ The sermon, a long one, and full of an invective
that almost reaches ferocity, is stuffed with inflammatory politics
from beginning to end, incendiary matter which _then_ made men half-mad
with joy or indignation, but which seems _now_ a poor thing save in
weight of mischievous words. The preacher, of course, proved to his own
satisfaction that all concerned in promoting the imminent rebellion
were bewitched by the devil; that stubbornness in opposing the royal
authority was the iniquity and idolatry alluded to in the text; and
that the Pretender, like his father, had lost the crown because he
did not care to be of the true community of faith. The sermon was
‘inspired,’ according to the Whig papers;――but by the devil, according
to the Tories and Tory critics in the clubs. Art took a curious revenge
for this discourse. ◆[Sidenote: _SATIRICAL ART._]◆ An altarpiece was
painted for St. Mary’s, Whitechapel, by order of Welton, the Jacobite
rector. The subject was The Last Supper. It gained a certain modest
amount of admiration, till some spectator remarked that Judas Iscariot
Public-domain text, read in full here on John Shaqi.
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