London in the Jacobite times, Volume IIDoran, Dr. (John)
History
London in the Jacobite times, Volume II
Doran, Dr. (John)
London (England) -- History -- 18th century
[Sidenote: _ROBERT STRANGE._]
Strange was an Orcadean lad, who was early destined to study law, but
who, hating the study, entered on board a man-of-war, out of intense
love of the sea, and grew sick of it in half a year. He turned to
what he hated, and seated himself on a high stool in the law office
of his brother David, in Edinburgh. But there the real natural bent
of his genius declared itself, and he was discovered, after drawing
drafts of deeds, leases and covenants, drawing portraits, buildings,
and landscapes, on the back of them. David was a sensible man: he
straightway articled his brother Robin to Cooper, the celebrated
engraver, for six years. Robin served his time with credit to himself.
The world of art still profits by Robin’s assiduity. He was out of his
time, and twenty-three years of age when, in 1744, bonnie Isabella
Lumisden’s beauty made prisoner of his soul. ‘No man may be lover
of mine,’ said Isabella, ‘who is not ready to fight for my prince.’
Strange, forthwith, became Isabella’s slave and Charles Edward’s
soldier. Isabella’s father, also her better known brother, Andrew
Lumisden, and herself, were uncompromising Jacobites. Robin became as
_ultra_ as any of them. His first contribution to the cause was an
engraved likeness of Charles Edward. His second was his plate of a
promissory note, for the paper currency by which the Jacobite army was
to pay its way, the note to be duly cashed after the Restoration of the
Stuart dynasty! Robin became the prince’s ‘moneyer,’ and a gentleman
of his Life Guards. Strange went through it all, from the first fray
to the overthrow at Culloden. He escaped from the field, played a
terrible game of hide-and-seek for his life, and at last reached
Edinburgh. His old master Cooper is quoted by Robin’s biographer,
Dennistoun, as his authority for saying that, ‘when hotly pressed,
Strange dashed into the room where his lady (Isabella Lumisden),
whose zeal had enlisted him in the fatal cause, sat singing at her
needlework, and, failing other means of concealment, was indebted
for safety to her prompt invention. As she quietly raised her hooped
gown, the affianced lover quickly disappeared beneath its ample
contour; where, thanks to her cool demeanour and unfaltering notes, he
lay undetected while the rude and baffled soldiery vainly ransacked
the house.’ Strange escaped, but he returned to Edinburgh, where he
privately engraved portraits of the chiefs in both factions, and drew
designs for fans, which were sold in London as well as in Edinburgh.
[Sidenote: _STRANGE’S ADVENTURES._]
Public-domain text, read in full here on John Shaqi.
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