London Lavender : $b An entertainmentLucas, E. V. (Edward Verrall)
General
London Lavender : $b An entertainment
Lucas, E. V. (Edward Verrall)
Humorous stories; London (England) -- Social life and customs -- 20th century -- Fiction
"I asked you to come," Mr. Carstairs began, "because I had a bad
night last night and I have had a bad day. This you may think but a
poor reason," he continued, in his quiet, cultured voice, smiling
faintly, "and to you, who are well and strong, it is inadequate. But
to me, who am dying, it is justification for any eccentricity. I
liked you directly I saw you, and it pains me to think that I have
taken no steps to cultivate the acquaintance of yourself and your
wife; but I have long got out of the way of making overtures of
friendship, and to occupy rooms in the same house is not one of the
best passports to a good understanding."
He lay back exhausted and began to cough. I looked among the bottles
for a lenitive and found only an empty one. Asking him if there was
another, I understood him to say it was in the cupboard by the
window; and to this I hurried. But no sooner was my hand on the
handle than his face underwent a terrifying transformation, and he
half-sprang from bed crying, "Not there! Not there!"
I came hurriedly from the door, and he quieted down and directed me
to a cupboard on the other side. Now what Bluebeard's closet was
this? I wondered (with Mrs. Wiles). I was soon to know.
"I throw myself on your good nature," he resumed, "because I am _in
extremis_ and have no friend within call. It is extremely improbable
that I shall get well from this attack. You see, for one thing I am
a good age, and for another I have very little to live for, and
therefore am not likely to make a fight of it."
I murmured the usual things.
"No," he said, "there's very little in it. If I recover it is only
for a brief while, with impaired strength. If I were younger and
happier even that would be worth having; but really one may as well
die to-day as to-morrow. It's got to be."
This is a form of fatalism with which I am as fit to grapple as a
seamstress with a cuttlefish, so I said nothing.
"Your kindness in coming up," he continued, "leads me to ask you to
be kinder still and administer my effects. They are few enough. I
want everything to go to the National Art Collections Fund. It
sounds simple, but there is this complication, that the name by which
I am known is not my real name; and my real name, although it is
bound to come out, I want to be still suppressed in connection with
myself. I die as John Carstairs."
My face, no doubt, indicated some perplexity, for he went on.
"You will understand only if I tell you the whole story; but first I
must confess that I am one of the most notorious of living
thieves--perhaps almost the most famous of all, in this country--who
have never been found out. When I die the secret must of necessity
be in part discovered. I look to you to help me so that my name and
the theft are kept distinct."
Public-domain text, read in full here on John Shaqi.
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