London Lavender : $b An entertainmentLucas, E. V. (Edward Verrall)
General
London Lavender : $b An entertainment
Lucas, E. V. (Edward Verrall)
Humorous stories; London (England) -- Social life and customs -- 20th century -- Fiction
"But although it amuses me to watch them," Sir Gaston continued, "I
can't find much real satisfaction in it. My other daughter, Alison,
is completely lost to me, except for letters, for her husband has
taken her to Ceylon. And now Ann is going; and deprived of any
society of the younger generation, which, however it may irritate us
at times, helps us to keep young and in touch with the day (I can say
'topping' with the best of them, although 'wow-wow' is beyond me), I
have no alternative but to become old. And old age has no kind of
attractiveness. I have no patience with people who profess to enjoy
growing old. They merely remind one of those lines of the American
poet:
Unto each man comes a day when his favorite sins all forsake him,
And he complacently thinks he has forsaken his sins.
Speaking for myself, who am nearing sixty, I would say that the only
piece of satisfaction that the process of ageing has brought to me is
the knowledge that the word 'unshrinkable' has no real basis in fact.
But I do not call myself really old yet. Not till a young woman
offers me her seat in a railway compartment will that tragedy really
be mine. At that moment I shall know that all is up."
CHAPTER XVIII
IN WHICH SUSSEX VOICES ARE RAISED IN MELODY, UNCLE JONAH GIVES HIS
MEMORY PLAY, AND WE MEET A NAPOLEONIC QUAKER
We have just been down into Sussex to get some songs of which word
had reached the Director, whose passion is the search for these
ancient melodies. Where others hunt hares or foxes, he pursues the
elusive ditty. Village after village he draws blank, without ever
losing heart, and then is rewarded by hearing at last of some old
gaffer to be met with at the Red Lion or Blue Boar or King's Head, no
matter how far away, who once sang a rare good song and can still
quaver out the ghost of it. Then the Director rises to his greatest
heights, for although deep potations and himself are at enmity, yet
in the interests of England and music he has had (to allay suspicion)
to consume much ale and stand ever so much more before the melodist
was ready to begin.
Of course, not all his singers are in inns; he has found many in
cottages, too; but the village public-house naturally remains the
happiest hunting-ground.
On this occasion we were bound for a private house to which the
singer had been bidden. The party consisted of the Director of
course with his little musical notebook, Naomi, and I. My duty was
to take down the words, a far more difficult task, as I have pointed
out again and again, than to get the music, because all the words are
different, whereas, the tune is the same all through. An added
difficulty for the word-transcriber is the fact that old Sussex
labourers have few or no teeth, and Heaven alone knows what sometimes
they sing: certainly they themselves do not.
Public-domain text, read in full here on John Shaqi.
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